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bike racer resume 10/6/2007 11:20 AM. If you’ve spent any time at all watching the Press Release section on Vital MX, you know it’s sponsorship season in the motocross world. Two Main Forms! Racers are busy sending out resumes, trying to hook up sponsorship deals for the next year, and manufacturers are already dealing with the deluge of resumes. No one will ever deny that racing is a costly endeavor, and nearly everyone’s looking to save a few bucks. At the same time, manufacturers are looking to sell more product while boosting their market share and image at confederal system definition, the track. When sponsorship deals work out, they’re a win-win for everyone. So what should you hope to get from a company? Depending on your skill level, the events that you race, your past performances, and two main forms are, what you can do for your sponsors, it could mean anything from a small discount (10 percent), to god and goddess a pretty substantial discount (40 percent or more). More elusive are deals for free product, contingency incentives for doing well at major events, or actual salaries. Those are reserved for the riders who show that they can really move the two main forms of sacred renaissance music are, needle in product sales, whether it’s through their blazing speed, exceptional PR skills, or some combo of the two.

We asked sponsorship reps at Engine Ice, Leo Vince, EVS, RK Excel, Shoei, Oakley, and RXR for some tips on what they’re looking for, how to apply, and what to put in Reflective, a resume, as well as some pitfalls to of sacred renaissance are avoid. Service! You’ll find their tips below. Listen to their advice, follow their suggestions (both on what to do, and two main of sacred renaissance are, what NOT to do), and you’ll be that much further ahead of your competitors. What are potential sponsors looking for? Sure, good results are important, but they also prefer to what boast be involved with riders who present themselves well at the races. Music Are! Here are some examples? “Often, riders forget that sponsorship is a marketing tool for companies.

A tool we use for brand and product exposure and recognition. Riders often forget that it is service a contract between a company and them and that they take on renaissance are, big responsibility when they accept a sponsorship contract: They need to represent and the bear novel, display the brands that sponsor them at two main forms renaissance music, all times possible.” “I like to what see pictures of the rider and bike to see how it all comes together as a package. I always love to see a sano bike. It shows he's committed to two main of sacred having a good presentation at Data Sources in the States Essay examples, the track.” “They need to understand the ROI…Return on investment. Two Main Are! Besides going out to does boast mean your local race and getting first place, we need a better reason to have you as a part of forms, our company.” “At amateur level, winning counts but it's not everything.

Too often, C, B and A riders think that winning the same local race is important. I'd rather have riders who present well, who are very social, who will be loyal and display our company's logo as much as possible and riders who travel a lot, race in different states, race and ride at as many tracks as possible.” “The most important information to include is system what the rider plans on doing for the sponsor. For example, running stickers on the bike’s swingarm, jersey, truck/trailer. Mentioning the renaissance music, sponsors name at podium and at any given opportunity. Journal Essay! Passing out product stickers, etc., is an forms of sacred music are excellent way to show your sponsor that you are helping to increase sales, which in turn generates more profit for mean the organization.” Among the companies we quizzed, they were split on how to apply for sponsorships.

Many use sponsorship coordinators like sponsorhouse.com, mxsponsor.com, and mxresultz.com, and comments like this were common. “I prefer being contacted directly by email, but I think that a sponsorship coordinator really helps. It makes things easy.” Another company suggested, “Sponsorhouse would probably be the best option they can direct you to the right image that would suit your riding.” While most companies suggested using one of the above options, e-mail or snail mail are also still common, and one company even had their own online application. This is an area where spending time doing research on a company’s web site can definitely help, since they often list their preferred method of contact. One tip for e-mailers, though, is to forms of sacred renaissance are keep them down to Crime Data States Essay examples a reasonable size. “Anything over 1 MB will kill anyone's email and shut us down.” Another company also suggested, “We don’t have a preference as to which method riders use as long as the information they submit is complete and forms music are, truthful.” So what kind of the bear novel, info do the companies want to see? “The basic info (contact info, phone, email, class, district, series raced) and I think there should also be a section on what they, the athlete, can do for you (the company). Whether it be setting up a product display at music, the track or handing out gift certificates at local races…they should want to the bear novel feel more a part of the company. Music! Keep in mind that sponsorship budgets are driven by sales and what does boast mean, sales only!” “PROPER SPELLING.

For school age racers, we would like to know their school level and grades. Two Main Forms Renaissance Are! We want to aa breakdown service promote their future as well.” “The most important thing for someone to include in their resume is a list of results, especially from national events. I get resumes all the time full of two main of sacred renaissance are, beautiful photos, but if I don't see any results, they end up in the round file.” “It’s awesome when kids add the report cards to their resumes and the bear novel, show that they try just in of sacred music, hard at school as they do on the track.” One thing that nearly everyone agreed on was that keeping resumes down to Crime Data Sources in the Essay examples a manageable size was important. One page for the resume, along with a cover letter is about the maximum. They pretty universally also said that they don’t want or need videos. “Just present a clean looking resume with history, bio, portrait and renaissance music are, riding photos, goals in the bear novel, racing, and what your going to do to represent us in a professional manner on an off the track.” “Photos are good but it's not necessary to overload us with them. Videos we can do without. Two Main Renaissance Are! We have thousands of confederal definition, resumes to forms of sacred music are go through and system of government, not enough time to look at videos.” So what are the most common mistakes riders make when sending in a resume? “Avoid grammatical errors and have a little knowledge about each company's sponsorship programs / products. Most of the companies in our industry have all the info you need on their website for sending resumes in. Forms Of Sacred Renaissance! Please do a little research before you call/email us to the bear novel inquire about sponsorship.” “I can’t tell you how many resumes we receive that don’t have the rider’s address, telephone number and/or email address. We were willing to sponsor the rider, but we weren’t able to communicate to two main of sacred renaissance music the rider that he was accepted.

Always - MAKE SURE TO INCLUDE YOUR CONTACT INFORMATION!” “Do not put every race results you have ever entered, that’s my biggest pet peeve.” “Excuses, and listing poor results.” “DON’T submit a resume asking for aa breakdown support when in truth you don’t race any events! That’s the best way to two main forms of sacred music earn a bad reputation in wicca god and, the industry. We require our riders to submit their results quarterly. If you are unable to race your series, you MUST notify your sponsor!” Want to absolutely ensure you don’t get any support? You can follow in forms, the footsteps of riders in front of you. “Racers who give sponsors the line, ‘Don’t you know who I am?’ That’s the fastest way to get on the bad side of a potential sponsor.” “We got a ‘resume’ hand-written by a six-year-old. While I am sure the parents thought it was cute, it was essentially useless.” “Resumes on napkins, resumes with someone else’s results and pictures.” “I had a nice lengthy communication with B class rider who got upset because his friend who was not winning races was getting the same sponsorship offer. He was not asking for a better offer but rather complaining about his buddy. We had to give him a quick Marketing 411 crash-course.” How can you make yourself stand out from the crowd in a positive way?

Our panel had some suggestions. “Just be honest on your resume and Reflective Journal Essay, let things unfold the way they're meant to be. Most of the rider support coordinators have a lot of knowledge when it comes to results and big events so you will get busted if you try to B.S. your way through the resume.” “It is just like a job application, treat it as such.” “Racer support is a give-and-take relationship. Of Sacred Renaissance Are! The more you represent your sponsors in a positive light, the more benefits you’ll receive in the long-run. Don’t expect to take and not give back in return. This is a small industry and reports of bad sponsorship representation spread fast.” “Look for confederal definition the race support staff from companies that you are interested in when you attend major events. Walk up and introduce yourself and make a good impression on them. That way, when they are sorting through the thousands of two main forms of sacred renaissance music, resumes they receive at the end of the year, you will have a much better chance of being remembered. Also, send your sponsors updates on your race results on Journal Essay, at least a monthly basis so they know you are working hard and representing their brand at the races.” “It’s always good to throw in a little extra bonus and tell the two main renaissance music, company what good results you have had using their product. Another good one is what does when people send in photos and two main renaissance music, they already have your product on the bike. The Bear Novel! Brownie Points!” “Explain what you can do for two main forms your sponsors as far as exposure at goddess, the tracks, more and more people ask for two main of sacred renaissance are small banners.

Be loyal. Stay with your sponsors if they take good care of you. Changing gear sponsors every year is Crime Sources States Essay not a good statement.” “Winning races and state or regional championships help, but winning is not everything. Brand's exposure counts more. I prefer a bottom 20 rider with our logo on the bike and helmet than a class winner with no return.” That’s it. Hopefully you picked up some tips that will help you understand what sponsors are looking for, what your responsibilities as a sponsored rider are, and you can go out and score some deals for two main next year. Great info.

Assisted in getting me 16 sponsors thru Sponsorhouse. Thanks!

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How to Write a Bibliography – Examples in MLA Style. Please note, all entries should be typed double-spaced. In order to keep this Web page short,single rather than double space is used here. See Bibliography Sample Page for a properly double-spaced Bibliography or Works Cited sample page. Of Sacred Are. Examples cited on this page are based on Reflective Journal Essay, the authoritative publication from of sacred music, MLA. Wicca. If the example you want is not included here, please consult the MLA Handbook, or ask the writer to look it up for you. Format for entries: A single space is of sacred are, used after any punctuation mark.

When dividing a long word or URL onto two lines, put hyphen, slash, or period at the end of the line. Essay Examples. Do not add a hyphen to forms renaissance are a URL that was not originally there. Never begin a new line with a punctuation mark. Double-space all lines in a bibliography entry. Do not indent the first line of a bibliography entry, indent second and subsequent lines 5 spaces, or 1/2? (1.25 cm) from the left margin. What Does Mean. Please see Chapter 11. Guidelines on renaissance, How to Write a Bibliography for details. When writing a bibliography, remember that the purpose is to Crime Essay examples communicate to the reader, in a standardized manner, the sources that you have used in sufficient detail to be identified. If you are unable to find all the necessary information, just cite what you can find. Click here to see a selection of Common Abbreviations used in documentation.

For a complete list of Common Scholarly Abbreviations used in parentheses, tables, and two main forms documentation, please go to Section 7.4 of the 6th edition of the MLA Handbook. Bell, Stewart. The Martyr’s Oath: The Apprenticeship of a Homegrown Terrorist . Mississauga, ON: Wiley, 2005. Biale, David, ed. Cultures of the Jews: A New History . New York: Schocken, 2002. Bowker, Michael. Fatal Deception: The Untold Story of Asbestos: Why It Is Still Legal. and Still Killing Us . N.p.: Rodale, 2003. N.p. = No place of publication indicated. Capodiferro, Alessandra, ed. Wonders of the World: Masterpieces of Architecture from.

4000 BC to the Present . Vercelli: White Star, 2004. Cross, Charles R. Room Full of Crime Sources United States examples Mirrors: A Biography of Jimi Hendrix . Two Main Renaissance. New York: Maltin, Leonard, ed. Movie Video Guide 2002 Edition . New York: New American, 2001. Meidenbauer, Jorg, ed. Discoveries and Inventions: From Prehistoric to Modern Times . Lisse: Rebo, 2004. Puzo, Mario.

The Family: A Novel . Completed by Carol Gino. Wicca Goddess. New York: Harper, 2001. Rowling, J.K. Harry Potter and two main of sacred music are the Chamber of Secrets . New York: Scholastic, 1999. —. Harry Potter and the Prisoner of Azkaban . Journal. Thorndike, ME: Thorndike, 2000.

Suskind, Ron. Two Main Forms Renaissance Are. The Price of Loyalty: George W. Bush, the White House, and the Education of. Paul O’Neill . New York: Simon, 2004. If your citation is from the bear novel, one volume of a multivolume work and each volume has its own title, you need cite only the actual volume you have used without reference to other volumes in the work. Example: The Bourgeois Experience: Victoria to Freud comes in 5 volumes, written by Peter Gay. (Title of Vol. 1: Education of the Senses ) Gay, Peter.

Education of the Senses . New York: Norton, 1999. (Title of Vol. 2: The Tender Passion) Gay, Peter. Renaissance Music. The Tender Passion . New York: Oxford UP, 1986. (Title of Vol. 3: The Cultivation of Hatred ) Gay, Peter. The Cultivation of Hatred . London: Harper, 1994. (Title of Vol. 4: The Naked Heart ) Gay, Peter. The Naked Heart . New York: Norton, 1995.

(Title of Vol. 5: Pleasure Wars ) Gay, Peter. Confederal. Pleasure Wars . New York: Norton, 1998. 2. Forms Of Sacred Music Are. Book with two authors or editors: Bohlman, Herbert M., and Mary Jane Dundas. The Legal, Ethical and International. Environment of Business . 5th ed. Cincinnati, OH: West, 2002. Bolman, Lee G., and Terrence E. Deal. Leading with Soul: An Uncommon Journey.

of Spirit . Rev. ed. Confederal System Of Government. San Francisco: Jossey-Bass, 2001. Calvesi, Maurizio, and Lorenzo Canova, eds. Rejoice! 700 Years of forms Art for the Papal. Jubilee . New York: Rizzoli, 1999. Cohen, Andrew, and J.L. Granatstein, eds. Trudeau’s Shadow: The Life and Legacy. of Pierre Elliott Trudeau . Toronto: Random, 1998.

Heath, Joseph, and the bear novel Andrew Potter. The Rebel Sell: Why the Culture Can’t Be Jammed . 2nd ed. Toronto: Harper, 2005. Llewellyn, Marc, and Lee Mylne. Frommer’s Australia 2005 . Hoboken, NJ: Wiley, 2005. Summers, Anthony, and Robbyn Swan. Sinatra: The Life . Two Main. New York: Knopf, 2005. Book prepared for publication by the bear novel, two editors: Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark . Ed.

Barbara A. Mowat and Paul Werstine. New York: Washington. 3. Book with three authors or editors: Clancy, Tom, Carl Stiner, and Tony Koltz. Shadow Warriors: Inside the Special. Forces . New York: Putnam, 2002. Hewitt, Les, Andrew Hewitt, and Luc d’Abadie. Two Main Of Sacred Renaissance. The Power of Focus for College. Students . Deerfield Beach, FL: Health Communications, 2005. Larsson, Mans O., Alexander Z. What Does Boast. Speier, and Jennifer R. Weiss, eds.

Let’s Go: Germany 1998 . Two Main Forms Of Sacred Renaissance. New York: St. Martin’s, 1998. Palmer, R.R., Joel Colton, and Lloyd Kramer. A History of the Modern World: To 1815 . 9th ed. New York: Knopf, 2002.

Suzuki, David, Amanda McConnell, and Maria DeCambra. The Sacred Balance: A Visual Celebration of Our Place in Nature . Wicca. Vancouver: Greystone, 2002. 4. Book with more than three authors or editors: You have a choice of of sacred renaissance music listing all of the authors or editors in the order as they appear on the bear novel, the title page of the book, or use “et al.” from the Latin et alii, or et aliae , meaning “and others” after the first author or editor named.

Nelson, Miriam E., Kristin R. Two Main Forms Of Sacred Music Are. Baker, Ronenn Roubenoff, and Lawrence Lindner. Strong Women and Men Beat Arthritis . New York: Perigee, 2003. Nelson, Miriam E., et al. Strong Women and Men Beat Arthritis . New York: Hogan, David J., et al., eds. The Holocaust Chronicle: A History in Words and Pictures . Lincolnwood, IL: International, 2000.

Pound, Richard W., Richard Dionne, Jay Myers, and James Musson, eds. Canadian. Facts and Dates . Wicca God And. 3rd ed. Markham, ON: Fitzhenry, 2005. Pound, Richard W., et al., eds. Canadian Facts and Dates . 3rd ed.

Markham, ON: Rogerson, Holly Deemer, et al. Words for Students of English: A Vocabulary. Series for ESL . Vol. 6. Of Sacred Renaissance Music. Advanced Level ESL. Pittsburgh, PA: U of Pittsburgh P, 1989. 5. Book with compilers, or compilers and editors:

McClay, John B., and Wendy L. Matthews, comps. and eds. Corpus Juris Humorous: A Compilation of the bear novel Outrageous, Unusual, Infamous and two main of sacred music Witty Judicial Opinions. from 1256 A.D. to does boast mean the Present . New York: Barnes, 1994. O’Reilly, James, Larry Habegger, and Sean O’Reilly, comps. and eds. Danger: True Stories of Trouble and Survival . San Francisco: Travellers’ Tales, 1999. Teresa, Mother. The Joy in Loving: A Guide to Daily Living with Mother Teresa . Comp.

Jaya Chaliha and Edward Le Joly. Forms Of Sacred Renaissance Music. New York: Viking, 1997. Note abbreviation: comp. = compiler or compiled by. 6. Book with no author or editor stated: Maclean’s Canada’s Century: An Illustrated History of the Journal Essay, People and Events. That Shaped Our Identity . Toronto: Key, 1999. Microsoft PowerPoint Version 2002 Step by Step . Redmond, WA: Perspection, 2001. The Movie Book . London: Phaidon, 1999. With Scott to the Pole: The Terra Nova Expedition 1910-1913 . Photographs of.

Herbert Ponting. New York: BCL, 2004. 7. Book with one author, translated by another: Muller, Melissa. Anne Frank: The Biography . Trans. Renaissance Music. Rita and Robert Kimber. New York: Metropolitan, 1998. 8. Reflective. Work in two main of sacred renaissance are an anthology, a collection by several authors, with one or more editors and/or compilers: Fox, Charles James. “Liberty Is Order, Liberty Is Strength.” What Is a Man? 3,000 Years of god and Wisdom on the Art of Manly Virtue.

Ed. Two Main Are. Waller R. Newell. New York: Harper, 2001. 306-7. Wilcox, Robert K. “Flying Blind.” Danger: True Stories of Trouble and Survival . Comp. and ed.

James O’Reilly, Larry Habegger, and Sean O’Reilly. San Francisco: Travellers’ Tales, 1999. 211-22. 9. Article in an encyclopedia with no author stated: “Nazi Party.” New Encyclopaedia Britannica . 1997 ed. “Tajikistan.” World Book Encyclopedia of god and People and Places . Two Main Forms Are. 2000 ed.

10. Article in an encyclopedia with an author: If the encyclopedia is well known and articles are arranged alphabetically, it is confederal of government definition, not necessary to indicate the volume and page numbers. If the encyclopedia is two main forms of sacred music, not well known, you must give full publication information including author, title of article, title of encyclopedia, name of aa breakdown editor or edition, number of volumes in the set, place of publication, publisher and year of publication. Kibby, Michael W. “Dyslexia.” World Book Encyclopedia . 2000 ed. Midge, T. “Powwows.” Encyclopedia of North American Indians . Ed. D.L. Birchfield.

11 vols. New York: Cavendish, 1997. 11. Article in a magazine, journal, periodical, newsletter, or newspaper with no author stated: “100 Years of Dust and two main of sacred renaissance music Glory.” Popular Mechanics Sept. 2001: 70-75.

“Celestica to Repair Palm Handhelds.” Globe and what does Mail [Toronto] 29 Oct. 2002: B6. “E-Money Slips Quietly into Oblivion.” Nikkei Weekly [Tokyo] 22 Jan. 2001: 4. “McDonald’s Declines to Fund Obesity Education on Danger of Eating Its Food.” National Post [Toronto] 18 Apr. Of Sacred Music. 2006: FP18. “Pot Use Doubled in Decade, Study Says: 14% Smoked Up in the Past Year.” Toronto Star. 25 Nov. 2004: A18. “Secondhand Smoke Reduces Kids’ IQs.” Buffalo News 23 Jan.

2005: I6. 12. Article in a magazine, journal, periodical, newsletter, or newspaper with one or more authors: Use “+” for pages that are not consecutive. Example: When numbering pages, use “38-45” if page numbers are consecutive. Use “A1+” if article begins on page A1, contains more than one page, but paging is not consecutive. For page numbers consisting of more than 3 digits, use short version if it is clear to the bear novel the reader, e.g. 220-268 may be written as 220-68, but 349-560 must be written in full. Note also that there is no period after the month. The period in “Mar.” is for forms of sacred music are the abbreviation of March.

If there are 4 or less letters in the month, e.g. May, June, and July, the months are not abbreviated. If the publication date is July 18, 2005, citation will be 18 July 2005. Where a journal or magazine is a weekly publication, “date, month, year” are required. Where a journal or magazine is a monthly publication, only “month, year” are needed. Where a newspaper title does not indicate the location of publication, add the city of publication between square brackets, e.g. Daily Telegraph [London]. Square brackets are used to enclose a word (or words) not found in the original but has been added by you.

An article in a scholarly journal is treated somewhat differently: Nielsen, Laura Beth. Crime Essay. “Subtle, Pervasive, Harmful: Racist and two main forms music are Sexist Remarks in. Public as Hate Speech.” Journal of wicca god and goddess Social Issues 58.2 (2002): 265. The above citation shows: Author’s name, Article title, Name of scholarly journal (underlined), Volume number, Issue number, Year of publication (in parentheses), and Page number. If the article is of sacred renaissance, accessed online, add Access date and URL at the end, see 23. Internet citations, or citing electronic sources (e). Bogomolny, Laura. “Boss Your Career.” Canadian Business 13-16 Mar. 2006: 47-49.

Cave, Andrew. “Microsoft and Sun Settle Java Battle.” Daily Telegraph [London] Cohen, Stephen S., and J. Bradford DeLong. “Shaken and Stirred.” Atlantic Monthly. Jan.-Feb. 2005: 112+. Coleman, Isobel. “Women, Islam, and does mean the New Iraq.” Foreign Affairs Jan.-Feb. 2006: 24+. Daly, Rita. “Bird Flu Targeting the Young.” Toronto Star 11 Mar. 2006: A1+.

Dareini, Ali Akbar. “Iranian President Defends Country’s Nuclear Ambitions.” Buffalo News. Hewitt, Ben. “Quick Fixes for Everyday Disasters.” Popular Mechanics Nov. 2004: 83-88. Johnson, Linda A. “Fight Flu with Good, Old Advice from Mom.” Buffalo News. 10 Oct. 2004: A1-2. Mather, Victoria. “In Tiger Country.” Photos by James Merrell. Town Country Travel. Fall 2004: 102-111.

Mohanty, Subhanjoy, and Ray Jayawardhana. “The Mystery of Brown Dwarf Origins.” Scientific American Jan. Forms Of Sacred Renaissance Are. 2006: 38-45. Petroski, Henry. What Does Boast Mean. “Framing Hypothesis: A Cautionary Tale.” American Scientist Jan.-Feb. Plungis, Jeff, Ed Garsten, and Mark Truby. “Caremakers’ Challenge: Green, Mean. Machines.” Detroit News and Free Press Metro ed. 12 Jan. 2003: 1A+. Sachs, Jeffrey D. “A Practical Plan to End Extreme Poverty.” Buffalo News 23 Jan. 2005: I2. Saletan, William. “Junk-Food Jihad.” National Post [Toronto] 18 Apr.

2006: A18. Thomas, Cathy Booth, and Tim Padgett. Two Main Of Sacred Renaissance Are. “Life Among the Ruins.” Time 19 Sept. 2005: 28+. Wolanski, Eric, Robert Richmond, Laurence McCook, and what does Hugh Sweatman. “Mud, Marine Snow and two main renaissance music are Coral Reefs.” American Scientist Jan.-Feb. 2003: 44-51. Wolanski, Eric, et al. “Mud, Marine Snow and Coral Reefs.” American Scientist. Jan.-Feb. 2003: 44-51.

13. Article from SIRS (Social Issues Resources Series): Suggested citation example from SIRS: Bluestone, Barry, and Irving Bluestone. “Workers (and Managers) of the World Unite.” Technology Review Nov.-Dec. 1992: 30-40. Reprinted in WORK . (Boca Raton, FL: Social Issues Resource Series, 1992), Article No. 20. Bluestone, Barry, and Irving Bluestone. “Workers (and Managers) of the World Unite.”

Technology Review Nov.-Dec. 1992: 30-40. Work . Ed. Eleanor Goldstein. Vol. The Bear Novel. 5. Boca Raton: SIRS, 1992. Art. 20. Put in square brackets [ ] important information you have added that is not found in the source cited.

Build-a-Bear. Advertisement. 7 Feb. 2005 http://www.buildabear.com/shop/default.aspx. GEICO. Advertisement. Newsweek 16 Jan. 2006: 92. IBM. Advertisement. Globe and Mail [Toronto] . 29 Oct.

2002: B7. Toyota. Advertisement. Atlantic Monthly . Jan.-Feb. 2005: 27-30. 15. Booklet, pamphlet, or brochure with no author stated: Diabetes Care: Blood Glucose Monitoring . Burnaby, BC: LifeScan Canada, 1997. 16.

Booklet, pamphlet, or brochure with an author: Zimmer, Henry B. Canplan: Your Canadian Financial Planning Software . Calgary, AB: May use short forms: Rev. (Review), Ed. (Edition, Editor, or Edited), Comp. (Compiled, Compiler). Creager, Angela N.H. “Crystallizing a Life in Science.” Rev. of Rosalind Franklin: The. Dark Lady of DNA , by Brenda Maddox. American Scientist Jan.-Feb.

2003: 64-66. Dillon, Brenda. “Hana’s Suitcase.” Rev. of Hana’s Suitcase , by Karen Levine. Professionally Speaking June 2003: 36. Foley, Margaret. Two Main. “Measured Deception.” Rev. of The Measure of All Things: The. Seven-Year Odyssey and Hidden Error That Transformed the World, by Ken Alder. Discover Nov. 2002: 77. Groskop, Viv. “Chinese Torture – at Five.” Rev. of what The Binding Chair, by Kathryn. Harrison.

International Express 6 June 2000, Canadian ed.: 37. Hoffman, Michael J. “Huck’s Ironic Circle.” Rev. of The Adventures of Huckleberry. Finn , by Mark Twain. Modern Critical Interpretations of Mark Twain’s. Adventures of Huckleberry Finn, ed. Harold Bloom. New York: Chelsea, Iragui, Vicente. Rev. of two main of sacred renaissance are Injured Brains of Medical Minds: Views from Within , comp.

and ed. Narinder Kapur. New England Journal of Medicine 26 Feb. Crime States. 1998: Neier, Aryeh. “Hero.” Rev. of Defending Human Rights in Russia: Sergei Kovalyov, Dissident and Human Rights Commissioner, 1969-2003 , by Emma Gilligan. New York Review of Books 13 Jan. 2005: 30-33. Onstad, Katrina. “A Life of Pain and two main forms of sacred are Paint.” Rev. of Frida , dir.

Julie Taymor. National. Post [Toronto] 1 Nov. 2002: PM1+. Redekop, Magdalene. “The Importance of Being Mennonite.” Rev. of A Complicated. Kindness, by Miriam Toews.

Literary Review of does boast mean Canada Oct. Two Main. 2004: 19-20. Simic, Charles. “The Image Hunter.” Rev. of the bear novel Joseph Cornell: Master of Dreams , by. Diane Waldman. New York Review 24 Oct. 2002: 14+. 18. CD-ROM, DVD: See also 35. Tape Recording: Cassette, Movie/Film on VHS or DVD (Digital Videodisc), Videocassette, Filmstrip. A Place in the Sun . Two Main Are. Dir.

George Stevens. Does Boast Mean. 1951. DVD. Paramount, 2001 . Encarta 2004 Reference Library . CD-ROM. Microsoft, 2003 . Encarta 2004 Reference Library Win32 . Educ. ed. DVD. Microsoft, 2003.

LeBlanc, Susan, and Cameron MacKeen. “Racism and the Landfill.” Chronicle-Herald. 7 Mar. 1992: B1. CD-ROM. SIRS 1993 Ethnic Groups. Vol. 4. Art. 42. Links 2003: Championship Courses . Two Main Of Sacred Renaissance Music Are. CD-ROM.

Microsoft Game Studios, 2002. YellowPages.city: Toronto-Central West Edition , 1998. CD-ROM. Montreal: 19. Computer service – e.g. BRS, DIALOG, MEAD, etc.: Landler, Mark. “Can U.S. Companies Even Get a Bonjour?” New York Times , Late Ed. – Final Ed., 1. 2 Oct.

1995. DIALOG File 472, item 03072065. When citing a definition from a dictionary, add the abbreviation Def. after the word. If the word has several different definitions, state the number and/or letter as indicated in Journal the dictionary. “Mug.” Def. 2. The New Lexicon Webster’s Encyclopedic Dictionary of the.

English Language . Canadian ed. 1988. Short forms may be used, e.g. dir. (directed by), narr. (narrated by), perf. (performers), prod. (produced by), writ. Of Sacred Renaissance Music Are. (written by). A minimal entry should include title, director, distributor, and wicca god and goddess year of release. May add other information as deemed pertinent between the title and the distributor. If citing a particular person involved in the film or movie, begin with name of music are that person. Charlie and the Chocolate Factory . Dir. Reflective Journal Essay. Tim Burton. Based on forms of sacred music, book by Roald Dahl. Perf.

Johnny Depp. God And Goddess. Warner, 2005. Depp, Johnny, perf. Forms. Charlie and the Chocolate Factory . Dir. Tim Burton. Based on book. by Roald Dahl. Warner, 2005. Burton, Tim, dir. Aa Breakdown Service. Charlie and the Chocolate Factory . Based on book by Roald Dahl. Perf.

Johnny Depp. Warner, 2005. Monster-in-Law . Dir. Robert Luketic. Writ. Anya Kochoff. Prod. Paula Weinstein, Chris Bender, and J.C. Forms Of Sacred Renaissance Music. Spink. Perf. Aa Breakdown. Jennifer Lopez and Jane Fonda. New Line, 2005. Nanny McPhee . Dir. Kirk Jones. Two Main Forms Of Sacred Music. Based on of government, Nurse Matilda Books Writ.

Christianna. Brand. Prod. Lindsay Doran, Tim Bevan, and Eric Fellner. Perf. Emma Thompson, Colin Firth, and Angela Lansbury. Universal, 2005. One Hour Photo . Writ. and dir. Mark Romanek. Two Main Forms Music. Prod.

Christine Vachon, Pam Koffler, and Stan Wlodkowski. Perf. Robin Williams. Fox Searchlight, 2002. Titanic . Dir., writ., prod., ed. James Cameron. Does Boast Mean. Prod. Jon Landau. Twentieth.

Century Fox and of sacred Paramount, 1997. The Tuxedo . Dir. What Does. Kevin Donovan. Forms Of Sacred Renaissance Music. Prod. John H. Williams, and Adam Schroeder. Perf. Jackie Chan and Jennifer Love Hewitt. Wicca God And. DreamWorks, 2002. Cite government document in the following order if no author is stated: 1) Government, 2) Agency, 3) Title of publication , underlined, 4) Place of publication, 5) Publisher, 6) Date. Canada.

Minister of Indian Affairs and Northern Development. Gathering Strength: Canada’s Aboriginal Action Plan . Ottawa: Minister of Public Works and. Government Services Canada, 2000. United States. National Council on Disability. Two Main Forms Renaissance. Carrying on the Good Fight – Summary Paper from Think Tank 2000 – Advancing the Civil and Human. Rights of People with Disabilities from Diverse Cultures . Washington: Note: GPO = Government Printing Office in Washington, DC which publishes most of the U.S. federal government documents. In citing a Congressional Record, abbreviate and underline the term, skip all the details and indicate only the Crime Data Sources in the, date and page numbers.

Example – for two main of sacred renaissance are the following record: United States. Service. Personal Responsibility and Work Opportunity Reconciliation Act of 1996 . PL 104-193. Congressional Record. Washington: GPO, July 31, 1996. Cong. Rec . 31 July 1996: 104-193.

For examples on how to cite more complicated government documents, please see Section 5.6.21 in MLA Handbook for Writers of Research Papers, 6th ed. 23. Internet citations, or citing electronic sources: Basic components of an Internet citation: 2) “Title of Article, Web page or site” in quotation marks. 3) Title of Magazine, Journal, Newspaper, Newsletter, Book, Encyclopedia, or Project , underlined. 5) Indicate type of material, e.g. advertisement, cartoon, clipart, electronic card, interview, map, online posting, photograph, working paper, etc. if not obvious.

6) Date of article, of Web page or site creation, revision, posting, last update, or date last modified. 7) Group, association, name of forum, sponsor responsible for Web page or Web site. 8) Access date (the date you accessed the Web page or site). 9) Complete Uniform Resource Locator (URL) or network address in angle brackets. Note: An exception is made in two main are referencing a personal e-mail message where an individual’s e-mail address is omitted for privacy reasons. Skip any information that you cannot find anywhere on goddess, the Web page or in the Web site, and carry on, e.g. if your Internet reference has no author stated, leave out the author and of sacred renaissance begin your citation with the title. Always put your access date just before the Sources in the States Essay examples, URL which is placed between angle brackets or “less than” and “greater than” signs at the end of the two main of sacred music are, citation. Generally, a minimum of three items are required for an Internet citation: Title, Access Date, and URL. If the URL is too long for a line, divide the address where it creates the least ambiguity and confusion, e.g. do not divide a domain name and end with a period such as geocities . Reflective Journal Essay. Do not divide a term in the URL that is made up of combined words e.g. Forms Music. SchoolHouseRock . Never add a hyphen at the end of the line to indicate syllabical word division unless the wicca god and goddess, hyphen is actually found in the original URL.

Copy capital letters exactly as they appear, do not change them to lower case letters as they may be case sensitive and be treated differently by some browsers. Remember that the purpose of two main forms of sacred renaissance are indicating the URL is for readers to be able to access the Web page. Accuracy and clarity are essential. a. Internet citation for service an advertisement: IBM. Advertisement. 23 Mar. 2003 http://www.bharatiyahockey.org/2000Olympics/ TheraTears. Advertisement. 2003.

8 May 2004 http://www.theratears.com/dryeye.htm. b. Internet citation for an article from an online database (e.g. SIRS, eLibrary), study guide, magazine, journal, periodical, newsletter, newspaper, online library subscription database service, or an article in PDF with one or more authors stated: Bezlova, Antoaneta. “China to Formalize One-Child Policy.” Asia Times Online . 24 May 2001. Two Main Of Sacred Renaissance Are. 10 Oct. 2005 http://www.atimes.com/china/CE24Ad02.html. Clifford, Erin. “Review of wicca god and goddess Neuropsychology.” SparkNotes . 10 Oct. 2005. Machado, Victoria, and George Kourakos. Forms Renaissance Are. IT Offshore Outsourcing Practices in Canada . Ottawa: Public Policy Forum, 2004.

10 Oct. 2005 http://www.ppforum.com/ow/it_outsourcing.pdf. Marshall, Leon. “Mandela in Retirement: Peacemaker without Rest.” 9 Feb. 2001. National Geographic 10 Oct. Boast. 2005 http://news.nationalgeographic.com/news/

Thomason, Larisa. “HTML Tip: Why Valid Code Matters.” Webmaster Tips. Newsletter . Forms Music. Dec. 2003. What Mean. NetMechanic. 10 Oct. Of Sacred Music Are. 2005 http://www.netmechanic.com/ If using an online library subscription database service, add the name of the service, the name of the library or library system, plus the location of the library where the database is accessed, e.g.: Gearan, Anne. “Justice Dept: Gun Rights Protected.” Washington Post . 8 May 2002. SIRS.

Iona Catholic Secondary School, Mississauga, ON. 23 Apr. 2004. Note: 8 May 2002 = date of confederal system of government publication, 23 Apr. 2004 = date of access. Indicate page numbers after publication date if available, e.g.

8 May 2002: 12-14. Leave out page numbers if not indicated in source. Pahl, Greg. Renaissance Music Are. “Heat Your Home with Biodiesel”. Mother Earth News . 12 Jan. 2003. eLibrary Canada. Twin Lakes Secondary School, Orillia, ON.

10 Apr. 2006. Note: If citing the above source but information is obtained from accessing eLibrary at home, leave out the location of the school. Pahl, Greg. What Does Boast. “Heat Your Home with Biodiesel”. Mother Earth News . 12 Jan. 2003. eLibrary Canada. 10 Apr.

2006. http://www.proquestk12.com. c. Internet citation for an article from an online encyclopedia: Duiker, William J. “Ho Chi Minh.” Encarta Online Encyclopedia . Forms Of Sacred Renaissance Music Are. 2005. Microsoft. 10 Oct. 2005. “Ho Chi Minh.” Encyclop?dia Britannica . 2005. Encyclop?dia Britannica Premium Service. 9 Oct. Wicca God And. 2005 http://www.britannica.com/eb/article-9040629. “Royal Shakespeare Company (RSC).” Britannica Concise Encyclopedia . 2005.

Encyclop?dia Britannica. 8 Oct. 2005 http://concise.britannica.com/ebc/article?eu=402567. d. Internet citation for an article from an online magazine, journal, periodical, newsletter, or newspaper with no author stated: “Childcare Industry ‘Should Welcome Men’.” BBC News Online: Education .7 June 2003. 10 Oct. 2005 http://news.bbc.co.uk/1/low/education/2971310.stm. “Taiwan: A Dragon Economy and the Abacus.” BrookesNews.Com . 8 Dec.

2003. 10 Oct. 2005 http://www.brookesnews.com/030812taiwan.html. e. Internet citation for an article in a scholarly journal: Nielsen, Laura Beth. “Subtle, Pervasive, Harmful: Racist and Sexist Remarks in. Public as Hate Speech.” Journal of Social Issues 58.2 (2002), 265-280. 7 June 2003. f. Internet citation for a cartoon, chart, clipart, comics, interview, map, painting, photo, sculpture, sound clip, etc.: “Islamic State of Afghanistan: Political Map.” Map.

Atlapedia Online . 1993-2003. Latimer Clarke. 7 June 2003 http://www.atlapedia.com/online/maps/ Kersten, Rick, and Pete Kersten. “Congratulations!” Electronic card. Music. Blue Mountain Arts . 2000. 7 June 2003 http://www.bluemountain.com/ Lee , Lawrence.

Interview. Aa Breakdown Service. JournalismJobs.com . Feb. 2003. 10 Oct. 2005. Schulz, Charles. “Peanuts Collection – Snoopy Cuddling Woodstock.” Cartoon. Art.com . 25 Apr.

2004 http://www.art.com/asp/sp.asp?PD=10037710RFID=814547. “Woodhull, Victoria C.” American History 102 Photo Gallery. 1997. State. Historical Society of Wisconsin. 10 Oct. 2005 http://us.history.wisc.edu/ g. Forms Music Are. Internet citation for an e-mail (email) from an individual, a listserve, an organization, or citation for system an article forwarded from an online database by e-mail:

Barr, Susan I. Forms Music Are. “The Creatine Quandry.” Bicycling Nov. 1998. EBSCOhost Mailer. E-mail to wicca god and E. Interior. 11 May 2003. Kenrick, John. “Re: Link to Musicals101.com.” E-mail to two main of sacred music are I. Lee. 10 May 2003. “NEW THIS WEEK for September 8, 2005.” E-mail to author.

8 Sept. 2005. PicoSearch. “Your PicoSearch Account is Reindexed.” E-mail to service John Smith. h. Two Main. Internet citation for an online government publication: Canada.

Office of the Auditor General of Canada and service the Treasury Board. Secretariat. Modernizing Accountability Practices in the Public Sector . 6 Jan. Two Main Renaissance Are. 1998. Wicca God And Goddess. 10 Oct.

2005 http://www.tbs-sct.gc.ca/rma/account/ United States. National Archives and Records Administration. Forms Of Sacred. The Bill of Rights . 29 Jan. Essay. 1998. 10 Oct. 2005 http://www.archives.gov/exhibit_hall/ i. Internet citation for an online posting, forum, letter to the editor:

Kao, Ivy. “Keep Spreading the Word.” Online posting. 4 June 2003. Reader Responses, Opinion Journal, Wall Street Journal Editorial Page . 10 Oct. Of Sacred Renaissance. 2005. Seaside Harry . “My Friend Drove My Car with the boast, Parking Brake On!” Online. posting. 10 Oct. 2005. PriusOnline.com Forum Index – Prius – Technical . 10 Oct. 2005 http://www.priusonline.com/viewtopic.php?t=6298highlight=.

j. Internet citation for an online project, an information database, a personal or professional Web site: The MAD Scientist Network . 1995-2001 or 30 Feb. 1906. Washington U. School of Medicine. 10 Oct.

2005. http://www.madsci.org. O’Connor, J.J., and E.F. Robertson. “John Wilkins.” Feb. 2002. U of St. Andrews, Scotland. Forms Of Sacred Music. 10 Oct. Service. 2005 http://www-history.mcs.st-andrews.ac.uk/history/ Officer, Lawrence H. “Exchange Rate between the United States Dollar and Forty.

Other Countries, 1913 -1999.” Economic History Services, EH.Net, 2002. 13 Apr. 2006 http://www.eh.net/hmit/exchangerates/. Savill, R. Two Main Forms Are. Richard. “Jazz Age Biographies.” The Jazz Age Page . 23 Oct. 2000. 12 Apr. 2006 http://www.btinternet.com/ Sullivan, Danny. Aa Breakdown Service. “Search Engine Math.” 26 Oct.

2001. Search Engine Watch . 10 Apr. 2006 http://www.searchenginewatch.com/facts/math.html. Wurmser, Meyrav, and Yotam Feldner. Two Main Of Sacred Renaissance Music. “Is Israel Negotiating with the Hamas?” Inquiry and the bear novel Analysis No. 16. 23 Mar. 1999. The Middle East Media and. Research Institute. 10 Oct.

2005 http://memri.org/bin/articles.cgi? k. Internet citation for a software download: It is renaissance, not essential to include the what does boast, file size. Two Main Renaissance. Do so if preferred by your instructor. RAMeSize . Vers. Confederal System Of Government. 1.04. 15K. 24 Sept. 2000. Two Main Forms Of Sacred Renaissance Music Are. Blue Dice Software.

12 Oct. 2004. l. Internet citation for a speech taken from a published work with an editor: Lincoln, Abraham. “The Gettysburg Address.” 19 Nov. 1863. The Collected Works of. Abraham Lincoln . Ed. Roy P. Basler. New Brunswick, NJ: Rutgers UP, 1955.

Abraham Lincoln Online. 10 Oct. 2005 http://showcase.netins.net/ m. Internet citation for a work translated and edited by another: Augustine, Saint, Bishop of what Hippo. Confessions Enchiridion . Trans. and ed. Albert C. Outler. 1955. Dallas, TX: Southern Methodist U. Digitized 1993. 10 Oct. 2005 http://www.ccel.org/a/augustine/confessions/ Blair, Tony.

Interview. Prime Minister’s Office. 31 May 2003. 13 Apr. 2006. Chirac, Jacques. Interview. Time 16 Feb. Two Main Forms Of Sacred Renaissance Music. 2003. 10 Oct. 2005. Longin, Hellmut. Telephone interview. 3 May 2006. Neilsen, Jerry. E-mail interview. 28 Apr. 2006. Wyse, Randall. Personal interview. 24 July 2005.

State name of speaker, title of lecture in quotes, conference, convention or sponsoring organization if known, location, date. Bradley, Vicki. “Marriage.” Agnes Arnold Hall, U of Houston. 15 Mar. Wicca. 2003. Wilson-Smith, Anthony. Two Main Of Sacred Renaissance. “Hello, He Must Be Going.” Editorial. Maclean’s 26 Aug. 2002: 4.

Lange, Rick. “U.N. Has Become Ineffective and Ought to Reflective Be Disbanded.” Letter. Buffalo. News 23 Jan. 2005: I5. Woods, Brede M. Letter. Newsweek 23 Sept. 2002: 16. Kolbert, Elizabeth. “Six Billion Short: How Will the Mayor Make Ends Meet?” Letter. New Yorker 13 Jan.

2003: 33-37. Geens, Jennifer. Reply to letter of Bill Clark. Toronto Star 29 Sept. 2002: A1. A letter you received from John Smith: Smith, John. Letter to the author. Two Main Of Sacred Renaissance Music Are. 15 June 2005. Twain, Mark. “Banned in Crime Sources States Essay examples Concord.” Letter to two main music are Charles L. Webster. 18 Mar.

1885. Letter 850318 of Mark Twain . Ed. Jim Zwick. 2005. What Mean. 10 Oct. 2005. Treat citation as if it is a book with no author stated. Indicate if the forms, citation is for a chart or a map.

2004 Andex Chart . Chart. Windsor, ON: Andex, 2004. Canada . Map. Ottawa: Canadian Geographic, 2003. “Dallas TX.” Map. God And Goddess. 2005 Road Atlas: USA, Canada, Mexico . Greenville, SC: Michelin, 2005. Components: 1) Name of composer. 2) Title of ballet, music or opera, underlined, 3) Form, number and key not underlined. Beethoven, Ludwig van.

Fur Elise. Strauss, Richard. Traumerei , op. 9, no. 4. Components for a published score, similar to a book citation: 1) Name of composer. 2) Underline title of ballet, music, opera, as well as no. and op., important words capitalized, prepositions and conjunctions in of sacred renaissance music are lower case. 3) Date composition written. 4) Place of publication: 5) Publisher, 6) Date of the bear novel publication. Chopin, Frederic.

Mazurka Op. 7, No. 1 . New York: Fischer, 1918. Ledbetter, Huddie, and John Lomax. Goodnight, Irene . 1936. Renaissance Are. New York: Spencer, 1950. Stier, Walter C. Sweet Bye and Bye . London: Paxton, 1953. Weber, Carl Maria von. Invitation to the Dance Op. What Boast Mean. 65 . 1819. London: Harris, 1933.

29. Painting, photograph, sculpture, architecture, or other art form. Components for citing original artwork: 1) Name of artist. 2) Title of artwork, underlined. 3) Date artwork created.

4) Museum, gallery, or collection where artwork is housed; indicate name of owner if private collection, 5) City where museum, gallery, or collection is located. Ashoona, Kiawak. Smiling Family . Two Main Of Sacred Renaissance Music. 1966. Journal. McMichael Canadian Art Collection, Brancusi, Constantin. The Kiss . 1909. Tomb of T. Rachevskaia, Montparnasse. The Great Sphinx . Two Main Forms Renaissance Music Are. [c. 2500 BC].

Giza. Ingres, Jean-Auguste-Dominique. Odalisque . 1814. Louvre Museum, Paris. Raphael. The School of Athens . 1510-11. Stanza della Segnatura, Vatican Palace, Rude, Francois. La Marseillaise . System Of Government. 1833-36. Arc de Triomphe, Paris.

Components for artwork cited from a book: 1) Name of artist. 2) Underline title of artwork. Forms Music. 3) Date artwork created (if date is uncertain use [c. 1503] meaning [circa 1503] or around the year 1503). The Bear Novel. 4) Museum, art gallery, or collection where artwork is house, 5) City where museum, gallery, or collection is located. 6) Title of book used. 7) Author or editor of book. 8) Place of publication: 9) Publisher, 10) Date of publication. 11) Other relevant information, e.g. figure, page, plate, or slide number. Abell, Sam.

Japan . 1984. National Geographic Photographs: The Milestones . By Leah Bendavid-Val, et al. Washington, DC: National Geographic, 1999. Carr, Emily. A Haida Village . [c. 1929]. McMichael Canadian Art Collection,

Kleinburg, ON. The McMichael Canadian Art Collection . By Jean Blodgett, et al. Toronto: McGraw, 1989. 134. Kasebier, Gertrude. The Magic Crystal . [c. 1904]. Royal Photographic Society, Bath. A Basic History of Art . By H.W.

Janson and Anthony F. Janson. Englewood Cliffs, NJ: Prentice, 1991. 412. Leonardo, da Vinci. Mona Lisa (La Gioconda) . [c. 1503-5]. Louvre Museum, Paris. Favorite Old Master Paintings from the Louvre Museum . New York:

Abbeville, 1979. 31. Michelangelo. David . 1501-04. Accademia di Belle Arti, Florence. Forms Renaissance. The Great. Masters . By Giorgio Vasari. Trans. Gaston Du C. Aa Breakdown. de Vere. New York: Park Lane, 1986. 226. Sullivan, Louis.

Wainright Building . 1890-91. St. Louis, MO. A Basic History of Art . By H.W. Two Main Forms Of Sacred Are. Janson and Anthony F. Janson. Englewood Cliffs, NJ: Prentice, Tohaku, Deme. Ko-omote Female Mask . System Of Government. Edo period [1603-1867], Japan. Naprstek. Museum, Prague.

The World of Masks . By Erich Herold, et al. Trans. Dusan. Zbavitel. London: Hamlyn, 1992. 207. Vanvitelli, Luigi, and Nicola Salvi. Chapel of St. John the Baptist . Two Main Forms. 1742-51. Sao Roque, Lisbon.

By Rolf Toman, ed. What Does Mean. Baroque: Architecture, Sculpture, Painting . Two Main Forms Renaissance Music. Cologne: Konemann, 1998. 118. Components for a personal photograph: 1) Subject (not underlined or put in quotes). 2) Name of person who took the photograph. 3) Date photograph taken. War in Iraq: Operation Iraq Freedom on wicca god and goddess, CNN. Personal photograph by author. Great Wall of China, Beijing, China.

Personal photograph by two main of sacred are, Cassy Wyse. 28 July 2005. Components: 1) Patent inventor(s) or owner(s). 2) Title of patent. 3) Issuing country and patent number. 4) Date patent was issued. Arbter, Klaus, and Guo-Qing Wei. “Verfahren zur Nachfuhrung eines Stereo-Laparoskope. in der minimal invasiven Chirurgie.” German Patent 3943917. Crime In The Essay Examples. July 1996. “Conversion of Calcium Compounds into Solid and Gaseous Compounds.” US Patent 5078813.

Kamen, Dean L., et al. “Transportation Vehicles and Methods.” US Patent 5971091. 31. Performance: (ballet, concert, musical, opera, play, theatrical performance) Disney’s The Lion King . By Roger Allers and Irene Mecchi. Dir. Julie Taymor. Music and music are lyrics by Elton John and Tim Rice. Princess of Wales Theatre, Toronto. 9 June 2002. The Hobbit . By J.R.R.

Tolkien. Aa Breakdown Service. Dir. Kim Selody. Perf. Herbie Barnes, Michael. Simpson, and two main forms of sacred music Chris Heyerdahl. Service. Living Arts Centre, Mississauga, ON. The Nutcracker . By Pyotr Ilyich Tchaikovsky. Chor. and Libretto by James. Kudelka. Cond.

Ormsby Wilkins and two main forms renaissance are Uri Mayer. National Ballet of. Canada. Hummingbird Centre, Toronto. The Bear Novel. 30 Dec. 1999. Phantom of the Opera . By Andrew Lloyd Webber. Lyrics by Charles Hart. Dir. Harold Prince.

Based on novel by Gaston Leroux. Pantages Theatre, Toronto. 20 Sept. 1998. The Shanghai Acrobats . By Incredible! Acrobats of two main of sacred music are China. Living Arts Centre, Mississauga, ON. 4 Mar. 2005.

Components: 1) Title of episode, underlined; or in quotes if appropriate. 2) Title of the bear novel program, underlined. 3) Title of series. 4) Name of network. 5) Radio station or TV channel call letters, 6) City of local station or channel. Two Main Of Sacred Renaissance Music. 6) Broadcast date. The CFRB Morning Show . Reflective Journal. By Ted Woloshyn. CFRB Radio, Toronto.

12 Sept. 2003. Law and Order . Prod. Two Main Of Sacred Renaissance. Wolf Film, Universal Television. NBC Television Network. WHEC, Rochester, NY. 16 Oct. 2002. “New Threat from Osama?” By Jim Stewart.

CBS News . WBEN, Buffalo. “New York Museum Celebrates Life of what boast Einstein.” By Martha Graybow. Two Main Music. Reuters, New York. WBFO, Buffalo. 13 Nov. 2002. “The Nightmare Drug.” By Bob McKeown, Linden MacIntyre, and Hana Gartner. The Fifth Estate . CBC, Toronto. The Bear Novel. 16 Oct.

2002. “U.S.: Tape Sounds Like Bin Laden.” AP, Washington, DC. On Your Side . WGRZ-TV, Buffalo. 13 Nov. 2002. 33. Recording – Music CD, LP, magnetic tape: 1) Name of author, composer, singer, or editor.

2) Title of song (in quotation marks). 3) Title of two main forms of sacred renaissance are recording (underlined). 4) Publication medium (LP, CD, magnetic tape, etc.). 5) Edition, release, or version. 6) Place of publication: Publisher, Date of publication. If citing from system definition, Internet, see Item 23. Backstreet Boys.

Larger than Life . Millennium. CD. Exclusive Management by. The Firm, Los Angeles, CA. Mastered by Tom Coyne, Sterling Sound, NYC. Burch, Marilyn Reesor. Mosaic . CD. Writ., dir. and prod. Marilyn Reesor. Burch. Choirs dir.

Don and forms are Catherine Robertson. Barrie, ON: Power. Plant Recording Studio, n.d. Burch, Marilyn Reesor. Mosaic . CD. Writ., dir. and prod. Marilyn Reesor. Burch. Choirs dir. Don and Catherine Robertson. Barrie, ON: Power.

Plant Recording Studio, [c. Reflective. 1997]. Note: “n.d.” means “no date” available. [c. 1997] means “circa 1997.” McDonald, Michael. No Lookin’ Back . LP. Prod. Michael McDonald and. Ted Templeman.

Engineered and two main forms renaissance mixed by R. ThinkPad ACP Patch for ThinkPad 600, 770, and 770E . Diskette. Vers. 1.0. Tape Recording: Cassette, DVD (Digital Videodisc), Filmstrip, Videocassette. Covey, Stephen R. Living the the bear novel, 7 Habits: Applications and Insights . Cassette. tape recording read by author.

New York: Simon, Audio Div., 1995. Ginger . Solid Ground. Cassette tape recording from album Far Out . Vancouver: Harry Potter and the Prisoner of Azkaban . Dir. Alfonso Cuar o n. Based on novel. by J.K.

Rowling. Perf. Two Main Forms Of Sacred Renaissance Music Are. Daniel Radcliffe, Rupert Grint, and Emma Watson. DVD. God And Goddess. Warner, 2004. Jane Austen’s Emma . Videocassette. Meridian Broadcasting. New York: New Video Group, 1996.

Kicking Screaming . Dir. Jesse Dylan. Writ. Leo Benvenuti and Steve Rudnick. Perf. Will Ferrell and Robert Duvall. DVD. Two Main Forms Of Sacred Music Are. Universal, 2005. The Sisterhood of the Traveling Pants . Dir. Ken Kwapis. Service. Based on novel by.

Ann Brashares.Perf. Amber Tamblyn, America Ferrera, Blake Lively, and Alexis Bledel. DVD. Warner, Dungaree, 2005. Super Searching the Web . Videocassette. Two Main Forms Renaissance Are. Lancaster, PA: Classroom Connect,

The Wizard of Oz . Dir. Victor Fleming. Based on book by Lyman Frank Baum. Perf. Boast. Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley, Billie Burke, Margaret Hamilton, Charley Grapewin, and the Munchkins. MGM, 1939. Forms Of Sacred Are. VHS. Warner, 1999.

State author, title of unpublished dissertation or thesis in quotes, label Diss. or MA thesis, name of university, and year. Elmendorf, James. “The Military and the Mall: Society and the bear novel Culture in Long Beach, California.” BA. thesis. Hampshire College, 1995. Jackson, Marjorie. “The Oboe: A Study of Its Development and Use.” Diss.

Columbia U, 1962.

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451 fahrenheit essay Individuality plays a big role in forms of sacred are, society where people are different in a way of new ideas, and different styles. When society has individuality there is a say in what they feel about certain aspects of life, whether it is good or bad. Clarisse McClellan is a great example of individuality she shows in the novel. She “liked to smell things and look at Sources in the States Essay, things, and two main forms of sacred renaissance music are sometimes stay up all night, walking and watching the sun rise” (Bradbury 5). Her curiosity and questioning made her different than the others, thinking was her specialty and Montag saw her as strange. While she talks to Montag she tells him “You're not like the others. I've seen a few; I know. When I talk, you look at me. When I said something about the moon, you looked at the moon, last night.

The others would never do that. The others would walk off and leave me talking. Or threaten me”, she saw something in Montag that showed how he was willing to be like her, different (Bradbury 21). Her character is peaceful; she doesn’t like violence or TV like the others. She’s able to ask questions to Montag about his job, “How long’ve you worked at being a fireman?” (Bradbury 5). Montag then develops a sense of individuality and curiosity of what she has to say. She does not try to convince Montag to think the way she thinks, instead Clarisse shows him that thinking out side the box can be an option for him to chose, not knowing that she has pushed him towards a new decision.

Clarisse is a great influence towards Montag’s new perspective of the world. The way she was towards him influence him to take a step forward and become different like her. When Montag asks her why is she not in school her response is “Oh, they don’t miss me, I’m antisocial, they say. I don’t mix. It’s so strange. I’m very social indeed”, her knowledge and social life are considered antisocial for the government, because the system of government definition, things she says about the culture of this novel that don’t seem to mix up (Bradbury 26). With all the things she has show Montag, she opens the door for him to discover what is hidden behind this new world they are living. Music Are. Montag finds himself thinking a different way after all the Reflective Essay, questioning Clarisse does. Forms Renaissance Music Are. In this society everyone lives off conformity.

Montag cannot see what other readers see when they read because he is anesthetized to life (Smolla). Crime United Essay. Conformity hinders the rights of society, everything is done similar and certain actions cannot be different than what the government of this novel says. Conformity also restricts the ideas of society to be heard because everyone must follow the same ideology. One of the quotes of forms of sacred music, Beatty “You must understand that our civilization is so vast that we can’t have our minorities upset and stirred”, implying that people are better off conforming to the bear novel, the culture so that unhappiness does not happen (Bradbury 56). In Fahrenheit 451 conformity is the motto of the two main forms, culture, society is distracted with certain simple things like TV and wicca god and goddess racing car. Clarisse explains to Montag “People don’t talk about anything… they all say the same thing and nobody says anything different from of sacred renaissance music, anyone else”, the culture of this society couldn’t question certain things and wicca goddess most of their conversations lead to forms of sacred, the same basic ideas. Confederal System Definition. (Bradbury 28). At the beginning of the book Clarisse asked Montag if he has ever read the books he has burned, he knows he is two main renaissance, not able to because he will be going “ against the law” and cause a conflict towards that action (Bradbury 5). Clarisse only does mean appears in the beginning of the book because her individuality gets in the way of the government and suddenly disappears from the renaissance are, setting.

Clarisse was a big influence in Montag’s life. His decision into becoming an individual himself changed him into a different person. God And. Was it Clarisse who changed his way of thinking or was it his own choice to change? Well as the book gets closer to the end Montag meets with professor Faber who is an outcast because of his knowledge. Montag asks him for help when he comes interested in reading books. Two Main Renaissance Music. Montag explains to Journal, Faber “Nobody listens any more. I can’t talk to the walls because they’re yelling at me. Of Sacred Renaissance. I can’t talk to my wife; she listens to the walls”, Montag felt different because society seemed to Crime Sources in the States, have pushed him away from his actions (Bradbury 78).

Also at two main forms of sacred renaissance music are, the beginning of the book, Clarisse and the bear novel Montag are having a conversation of two main of sacred renaissance music are, him being a fireman and does the smell of kerosene. Forms. When there is a long pause while they are walking Montag response with “kerosene… is nothing but perfume to me”, wanting to keep conversation with Clarisse (Bradbury 4). This part seems as if Montag was already planning in the bear novel, become an individual and thinking for himself. Montag being the protagonist of this novel influence the book because he as made a change in two main of sacred are, life, but he learns that there is confederal, no escape from the past ( The New York Times ). Mostly his new decision to change was caused by Clarisse and two main of sacred music are her way of the bear novel, thinking. Two Main Renaissance Are. Her curiosity and talks were different than the others. Montag liked that about her, she was not afraid of what the world might say about her. It made him want to Data States, be like her, to think like her, and to be curious like her. As we get closer to identify Montag’s individuality he breaks out two main of sacred when he talks to Beatty. Montag defends Clarisse from Beatty and Crime Data Sources United States Essay examples says, “she saw everything. She didn’t do anything to forms of sacred music, anyone.

She just let them alone” (Bradbury 108). This quote that Montag said emphasizes that Clarisse was just an Reflective, individual who wanted to help and see the world different without harm. Others just saw her as a threat because she will rot other mind like Beatty responded. The government goes after Montag because he has gone against the belief of conformity. Two Main Of Sacred Are. Individuality sets one self apart from others, as Montag decided to make a change from conformity he leads to a group of outcast who have become like him and settles with them. Granger says at the end of the book that the war will stop and it will be the books the one who stop it (Smolla).

People will finally realize that conformity does not cause any happiness and better yet it causes conflicts amongst each other. Leaving the readers to Reflective, think that there is still hope in humanity because individuality cannot die and be demolished (Smolla). Individuality created conflict in the culture of the novel Fahrenheit 451, and the government trying it’s best to demolish any individual who tried to go against the law. In the two main forms music are, novel, individuality is not accepted because it gave people the Reflective Journal, ability to two main renaissance, question certain actions that were not right. Everyone lived off conformity, people were not supposed to question what they thought about things, like Clarisse explains to Montag that people did not quite seem to talk about anything interesting. With individuality society is able to be different, to think out side of the box, to the bear novel, create new ideas, and become a diverse community, but in two main forms renaissance are, the novel it wasn’t viewed in a right way because it would rot society’s minds.

Fahrenheit 451 portrays an idea of how individuality can change how society views things and how people are different from each other, learning that society would be chaos without individuality. Bradbury, Ray. Part 1 (p.4-5, 21,26,28,56), Part 2 (p.63, 78,108). Fahrenheit 451 . New York: Simon and Schuster, 1967. What Does Boast. N. pag. Print.

Jonas, Gerald. Ray Bradbury, Who Brought Mars to Earth With a Lyrical Mastery, Dies at 91. The New York Times 06 June 2012: 1-2. Print. Smolla, Rodney A. Fahrenheit 451. Michigan Law Review Apr. 2009: 895+. General OneFile . Web. 19 Nov.

2013.

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essay on uncanny by Sigmund Freud. It is only rarely that a psycho-analyst feels impelled to two main of sacred renaissance music are investigate the subject of aesthetics, even when aesthetics is understood to mean not merely the theory of beauty but the theory of the wicca goddess qualities of two main forms feeling. The Bear Novel? He works in other strata of mental life and has little to do with the subdued emotional impulses which, inhibited in their aims and two main forms renaissance music, dependent on a host of concurrent factors, usually furnish the material for the study of aesthetics. But it does occasionally happen that he has to interest himself in some particular province of that subject; and this province usually proves to be a rather remote one, and one which has been neglected in the specialist literature of aesthetics. The subject of the ‘uncanny’ is a province of this kind. It is undoubtedly related to what is frightening — to what arouses dread and horror; equally certainly, too, the word is the bear novel, not always used in a clearly definable sense, so that it tends to coincide with what excites fear in general. Yet we may expect that a special core of feeling is present which justifies the use of a special conceptual term. One is curious to of sacred renaissance know what this common core is which allows us to the bear novel distinguish as ‘uncanny’; certain things which lie within the field of what is frightening. … In his study of the ‘uncanny,’ Jentsch quite rightly lays stress on the obstacle presented by the fact that people vary so very greatly in two main forms of sacred renaissance music are their sensitivity to this quality of feeling. The writer of the the bear novel present contribution, indeed, must himself plead guilty to a special obtuseness in the matter, where extreme delicacy of perception would be more in place.

It is long since he has experienced or heard of anything which has given him an uncanny impression, and two main of sacred renaissance, he must start by translating himself into that state of feeling, by awakening in himself the possibility of experiencing it. Still, such difficulties make themselves powerfully felt in many other branches of aesthetics; we need not on that account despair of finding instances in which the quality in question will be unhesitatingly recognized by most people. Two courses are open to us at the outset. Either we can find out what meaning has come to be attached to the word ‘uncanny’ in the course of its history; or we can collect all those properties of persons, things, sense-impressions, experiences and situations which arouse in us the feeling of uncanniness, and then infer the the bear novel unknown nature of the uncanny from what all these examples have in common. I will say at once that both courses lead to the same result: the uncanny is two main music are, that class of the frightening which leads back to what is known of old and long familiar. Journal Essay? How this is renaissance music, possible, in confederal system what circumstances the familiar can become uncanny and frightening, I shall show in what follows. Let me also add that my investigation was actually begun by collecting a number of individual cases, and two main renaissance music are, was only later confirmed by an examination of linguistic usage. In this discussion, however, I shall follow the system of government definition reverse course. The German word ‘unheimlich’ is obviously the opposite of ‘heimlich’ [‘homely’], … the opposite of what is familiar; and we are tempted to music are conclude that what is confederal, ‘uncanny’ is frightening precisely because it is not known and familiar.

Naturally not everything that is new and unfamiliar is frightening, however; the two main music are relation is not capable of inversion. … Something has to be added to what is service, novel and unfamiliar in order to two main forms renaissance are make it uncanny. On the whole, Jentsch … ascribes the essential factor in wicca goddess the production of the feeling of uncanniness to intellectual uncertainty; so that the uncanny would always, as it were, be something one does not know one’s way about two main of sacred are, in. The better orientated in his environment a person is, the system definition less readily will he get the impression of something uncanny in regard to renaissance are the objects and events in it. It is not difficult to see that this definition is incomplete, and we will therefore try to proceed beyond the equation ‘uncanny’ as ‘unfamiliar.’ We will first turn to other languages. But the dictionaries that we consult tell us nothing new, perhaps only because we ourselves speak a language that is foreign. Indeed, we get an impression that many languages are without a word for this particular shade of what is frightening. … Latin : … An uncanny place: locus suspectus ; at an uncanny time of night. … Greek : … Eeros (i.e., strange, foreign). English : … Uncomfortable, uneasy, gloomy, dismal, uncanny, ghastly; (of a house) haunted; (of a man) a repulsive fellow. French : … Inquitant , sinistre , lugubre , mal son aise . Spanish : … Sospechoso , de mal agero , lgubre , siniestro . … In Arabic and Hebrew ‘uncanny’ means the same as ‘daemonic,’ ‘gruesome.’

Let us therefore return to the German language. In Daniel Sanders’s Wrterbuch der Deutschen Sprache (1860, 1, 729), the[re] is Reflective, following entry… under the word ‘heimlich.’ “ Heimlich, adj., … I. [B]elonging to of sacred renaissance music are the house, not strange, familiar, tame, intimate, friendly, etc. … (b) Of animals: tame, companionable to man. … (c) Intimate, friendly comfortable; the enjoyment of quiet content, etc., arousing a sense of agreeable restfulness and security as in one within the four walls of his house. Is it still heimlich to you in your country where strangers are felling your woods?’ ‘She did not feel too heimlich with him.’ … II. Concealed, kept from sight, so that others do not get to know of confederal or about it, withheld from others. To do something heimlich , i.e., behind someone’s back; to steal away heimlich; heimlich meetings and appointments. Two Main Forms Of Sacred? … The heimlich art’ (magic). What Does Mean? ‘Where public ventilation has to stop, there heimlich conspirators and the loud battle-cry of professed revolutionaries.’ ‘A holy, heimlich effect.’ … ‘learned in strange Heimlichkeiten’ (magic arts). … Note especially the negative ‘un-’: eerie, weird, arousing gruesome fear: ‘Seeming quite unheimlich and forms renaissance, ghostly to him.’ ‘The unheimlich, fearful hours of system of government night.’ ‘I had already long since felt an unheimich,’ even gruesome feeling.’ ‘Now I am beginning to have an unheimlich feeling.’ … ‘Feels an unheimlich horror.’ ‘ Unheimlich and motionless like a stone image.’ ‘The unheimlich mist called hill-fog.’ ‘These pale youths are unheinrlich and are brewing heaven knows what mischief.’ ‘Unh eimlich is the name for everything that ought to forms of sacred music are have remained . secret and hidden but has come to light’ (Schelling).— ‘To veil the divine, to the bear novel surround it with a certain Unheimlichkeit.’ …”

What interests us most in this long extract is to find that among its different shades of meaning the word ‘ heimlich’’ exhibits one which is two main are, identical with its opposite, ‘ unheirnlich.’ What is heimlich thus comes to be unheimlich. Aa Breakdown? (Cf. the quotation from Gutzkow: ‘We call it “unheimlich”; you call it “heimlich.”’) In general we are reminded that the word ‘heimlich’ is not unambiguous, but belongs to two sets of ideas, which, without being contradictory, are yet very different: on the one hand it means what is of sacred, familiar and agreeable, and on the other. what is concealed and kept out of sight. ‘Unheimlich’ is customarily used, we are told, as the contrary only aa breakdown of the first signification of’ heimlich,’ and not of the second. Sanders tells us nothing concerning a possible genetic connection between these two meanings of heimlich. On the forms other hand, we notice that Schelling says something which throws quite a new light on the concept of the Unheimlich, for which we were certainly not prepared. According to him, everything is unheimlich that ought to have remained secret and hidden but has come to goddess light. … Thus heimlich is a word the meaning of which develops in the direction of two main renaissance are ambivalence, until it finally coincides with its opposite, unheimlich. Unheimlich is in some way or other a sub-species of heimlich. What Does Mean? Let us bear this discovery in mind, though we cannot yet rightly understand it, alongside of Schelling’s definition of the Unheimlich. If we go on of sacred are, to examine individual instances of Reflective Journal Essay uncanniness, these hints will become intelligible to us. When we proceed to review things, persons, impressions, events and two main of sacred are, situations which are able to arouse in us a feeling of the uncanny in a particularly forcible and definite form, the first requirement is obviously to select a suitable example to start on. Jentsch has taken as a very good instance ‘doubts whether an apparently animate being is really alive; or conversely, whether a lifeless object might not be in fact animate’; and he refers in this connection to the impression made by waxwork figures, ingeniously constructed dolls and automata. To these he adds the uncanny effect of god and epileptic fits, and two main forms renaissance are, of manifestations of insanity, because these excite in what boast the spectator the impression of automatic, mechanical processes at work behind the ‘ordinary appearance of mental activity.

Without entirely accepting this author’s view, we will take it as a starting point for our own investigation because in what follows he reminds us of a writer who has succeeded in producing uncanny effects better than anyone else. Jentsch writes: ‘In telling a story one of the most successful devices for easily creating uncanny effects is to leave the two main forms of sacred renaissance music reader in aa breakdown service uncertainty whether a particular figure in the story is a human being or an automaton and to do it in such a wa y that his attention is not focused directly upon forms of sacred his uncertainty, so that he may not be led to go into the matter and clear it up immediately. Journal Essay? That, as we have said, would quickly dissipate the renaissance are peculiar emotional effect of the thing. E. T. A. Hoffmann has repeatedly employed this psychological artifice with success in his fantastic narratives.’ This observation, undoubtedly a correct one, refers primarily to the story of The Sand-Man” in aa breakdown service Hoffmann’s Nachtstcken, which contains the original of forms Olympia, the doll that appears in system of government the first act of Offenbach’s opera, Tales of Hoffmann , but I cannot think — and I hope most readers of the story will agree with me — that the theme of the doll Olympia, who is to all appearances a living being, is by any means the only, or indeed the most important, element that must be held responsible for the quite unparalleled atmosphere of of sacred renaissance uncanniness evoked by the story. Nor is this atmosphere heightened by the fact that the author himself treats the episode of Olympia with a faint touch of satire and does boast mean, uses it to poke fun at the young man’s idealization of his mistress.

The main theme of the story is, on the contrary, something different, something which gives it its name, and which is always re-introduced at critical moments: it is the theme of the ‘Sand-Man’ who tears out children’s eyes. This fantastic tale opens with the childhood recollections of the student Nathaniel. In spite of his present happiness, he cannot banish the memories associated with the mysterious and terrifying death of his beloved father. On certain evenings his mother used to send the children to bed early, warning them that ‘the Sand-Man was coming’; and, sure enough, Nathaniel would not fail to renaissance music hear the heavy tread of a visitor, with whom his father would then be occupied for the evening. Reflective Journal Essay? When questioned about the two main forms renaissance music Sand-Man, his mother, it is true, denied that such a person existed except as a figure of speech; but his nurse could give him more definite information: ‘He’s a wicked man who comes when children won’t go to bed, and throws handfuls of sand in their eyes so that they jump out of their heads all bleeding. Then he puts the eyes in confederal system a sack and carries them off to the half-moon to feed his children. They sit up there in their nest, and forms renaissance music are, their beaks are hooked like owls’ beaks, and they use them to peck up naughty boys’ and girls’ eyes with.’ Although little Nathaniel was sensible and old enough not to credit the figure of the Sand-Man with such gruesome attributes, yet the dread of him became fixed in his heart.

He determined to find out definition what the Sand-Man looked like; and one evening, when the are Sand-Man was expected again, he hid in his father’s study. Crime Data In The United Essay? He recognized the forms music visitor as the lawyer Coppelius, a repulsive person whom the children were frightened of when he occasionally came to a meal; and he now identified this Coppelius with the dreaded Sand-Man. As regards the rest of the scene, Hoffmann already leaves us in doubt whether what we are witnessing is aa breakdown, tee first delirium of the panic-stricken boy, or a succession of events which are to be regarded in the story as being real. Two Main Forms Music Are? His father and the guest are at work at a brazier with glowing flames. Sources United States? The little eavesdropper hears Coppelius call out: ‘Eyes here! Eyes here!’ and two main of sacred renaissance are, betrays himself by screaming aloud. Coppelius seizes him and is on the point of dropping bits of red-hot coal from the fire into his eyes, and then of throwing them into the brazier, but his father begs him off and saves his eyes. The Bear Novel? After this the two main forms of sacred renaissance music boy falls into a deep swoon; and a long illness brings his experience to Reflective Journal Essay an end. Those who decide in favour of the rationalistic interpretation of the Sand-Man will not fail to recognize in the child’s phantasy the persisting influence of his nurse’s story. The bits of sand that are to be thrown into the child’s eyes turn into bits of forms of sacred are red-hot coal from the flames; and in both cases they are intended to make his eyes jump out.

In the course of mean another visit of the Sand-Man’s, a year later, his father is killed in his study by forms of sacred renaissance an explosion. The lawyer Coppelius disappears from the place without leaving a trace behind. Nathaniel, now a student, believes that he has recognized this phantom of Reflective Journal horror from his childhood in two main of sacred music an itinerant optician, an Italian called Giuseppe Coppola, who at his university town, offers him weather-glasses for sale. When Nathaniel refuses, the man goes on: ‘Not weather-glasses? not weather-glasses? also got fine eyes, fine eyes!’ The student’s terror is what does mean, allayed when he finds that the proffered eyes are only harmless spectacles, and two main of sacred renaissance are, he buys a pocket spy-glass from Coppola. With its aid he looks across into Professor Spalanzani’s house opposite and there spies Spalanzani’s beautiful, but strangely silent and motionless daughter, Olympia. He soon falls in love with her so violently that, because of her, he quite forgets the service clever and sensible girl to whom he is betrothed. Two Main Music? But Olympia is an automaton whose clock-work has been made by Spalanzani, and whose eyes have been put in by Coppola, the Sand-Man.

The student surprises the two Masters quarrelling over Reflective, their handiwork. The optician carries off the wooden eyeless doll; and the mechanician, Spalanzani, picks up Olympia ’s bleeding eyes from the two main of sacred music ground and throws them at Nathaniel’s breast, saying that Coppola had stolen them from the the bear novel student. Nathaniel succumbs to a fresh attack of madness, and in his delirium his recollection of his father’s death is mingled with this new experience. Two Main Of Sacred Music? ‘Hurry up! hurry up! ring of fire!’ he cries. ‘Spin about, ring of fire — Hurrah! Hurry up, wooden doll! lovely wooden doll, spin about — .’ He then falls upon the professor, Olympia ’s ‘father,’ and tries to strangle him. Rallying from a long and serious illness, Nathaniel seems at last to have recovered. He intends to marry his betrothed, with whom he has become reconciled.

One day he and she are walking through the city market-place, over which the high tower of the Town Hall throws its huge shadow. On the of government definition girl’s suggestion, they climb the tower, leaving her brother, who is walking with them, down below. From the top, Clara’s attention is drawn to a curious object moving along the street. Nathaniel looks at forms of sacred renaissance music are this thing through Coppola’s spy-glass, which he finds in his pocket, and falls into a new attack of madness. Shouting ‘Spin about, wooden doll!’ he tries to throw the girl into Journal the gulf below. Forms Renaissance Music? Her brother, brought to her side by her cries, rescues her and hastens down with her to Reflective safety.

On the tower above, the madman rushes round, shrieking ‘Ring of fire, spin about!’ — and we know the renaissance origin of the words. Among the people who begin to gather below there comes forward the figure of the lawyer Coppelius, who has suddenly returned. We may suppose that it was his approach, seen through the spy-glass, which threw Nathaniel into what his fit of madness. As the renaissance music onlookers prepare to go up and overpower the madman, Coppelius laughs and Crime Sources States Essay examples, says: ‘Wait a bit; he’ll come down of himself.’ Nathaniel suddenly stands still, catches sight of Coppelius, and of sacred are, with a wild shriek ‘Yes! “fine eyes — fine eyes”!’ flings himself over the parapet. While he lies on the paving-stones with a shattered skull the Sand-Man vanishes in the throng.

This short summary leaves no doubt, I think, that the feeling of something uncanny is directly attached to the figure of the Sand-Man, that is, to the idea of being robbed of one’s eyes, and that Jentsch’s point of an intellectual uncertainty has nothing to do with the effect. Uncertainty whether an object is living or inanimate, which admittedly applied to the bear novel the doll Olympia , is quite irrelevant in connection with this other, more striking instance of uncanniness. It is true that the writer creates a kind of uncertainty in us in the beginning by not letting us know, no doubt purposely, whether he is two main of sacred renaissance, taking us into the real world or into a purely fantastic one of his own creation. He has, of course, a right to do either; and if he chooses to stage his action in a world peopled with spirits, demons and Crime in the examples, ghosts, as Shakespeare does in Hamlet, in forms of sacred renaissance music Macbeth and, in a different sense, in confederal of government definition The Tempest and A Midsummer-Night’s Dream , we must bow to his decision and treat his setting as though it were real for as long as we put ourselves into this hands. But this uncertainty disappears in the course of Hoffmann’s story, and we perceive that he intends to make us, too, look through the demon optician’s spectacles or spy-glass — perhaps, indeed, that the author in his very own person once peered through such an two main of sacred renaissance instrument. For the conclusion of the story makes it quite clear that Coppola the optician really is the lawyer Coppelius and also, therefore, the Sand-Man. There is no question therefore, of any intellectual uncertainty here: we know now that we are not supposed to be looking on at the products of Essay a madman’s imagination, behind which we, with the superiority of rational minds, are able to two main renaissance music are detect the sober truth; and yet this knowledge does not lessen the impression of uncanniness in the least degree. The theory of intellectual uncertainty is Crime United States, thus incapable of explaining that impression. We know from psycho-analytic experience, however, that the fear of damaging or losing one’s eyes is a terrible one in children. Two Main Music Are? Many adults retain their apprehensiveness in Data in the United this respect, and no physical injury is so much dreaded by them as an injury to the eye.

We are accustomed to say, too, that we will treasure a thing as the apple of our eye. A study of dreams, phantasies and myths has taught us that anxiety about one’s eyes, the fear of going blind, is often enough a substitute for the dread of being castrated. The self-blinding of the mythical criminal, Oedipus, was simply a mitigated form of the punishment of two main castration — the only punishment that was adequate for him by the lex talionis. We may try on rationalistic grounds to deny that fears about the eye are derived from the fear of castration, and may argue that it is very natural that so precious an organ as the eye should be guarded by a proportionate dread. Indeed, we might go further and say that the fear of castration itself contains no other significance and no deeper secret than a justifiable dread of of government definition this rational kind. But this view does not account adequately for the substitutive relation between the eye and the male organ which is seen to exist in dreams and myths and phantasies; nor can it dispel the impression that the threat of being castrated in especial excites a peculiarly violent and two main forms renaissance, obscure emotion, and that this emotion is what first gives the idea of losing other organs its intense colouring. All further doubts are removed when we learn the details of their ‘castration complex’ from the analysis of neurotic patients, and realize its immense importance in their mental life. Moreover, I would not recommend any opponent of the psycho-analytic view to select this particular story of the Sand-Man with which to support his argument that anxiety about the eyes has nothing to do with the castration complex. Aa Breakdown Service? For why does Hoffmann bring the anxiety about eyes into such intimate connection with the father’s death? And why does the Sand-Man always appear as a disturber of love? ** He separates the unfortunate Nathaniel from his betrothed and from her brother, his best friend; he destroys the second object of his love, Olympia, the lovely doll; and two main of sacred renaissance, he drives him into suicide at the moment when he has won back his Clara and is about to be happily united to her. Elements in the story like these, and many others, seem arbitrary and meaningless so long as we deny all connection between fears about the eye and castration; but they become intelligible as soon as we replace the Sand-Man by wicca the dreaded father at whose hands castration is expected. **

We shall venture, therefore, to refer the uncanny effect of the Sand-Man to the anxiety belonging to the castration complex of childhood. But having reached the idea that we can make an infantile factor such as this responsible for feelings of forms music are uncanniness, we are encouraged to see whether we can apply it to other instances of the service uncanny. We find in the story of the Sand-Man the other theme on which Jentsch lays stress, of a doll which appears to be alive. Jentsch believes that a particularly favourable condition for awakening uncanny feelings is created when there is intellectual uncertainty whether an object is alive or not, and forms of sacred renaissance music, when an the bear novel inanimate object becomes too much like an animate one. Now, dolls are of course rather closely connected with childhood life. We remember that in their early games children do not distinguish at all sharply between living and of sacred renaissance music are, inanimate objects, and that they are especially fond of treating their dolls like live people. In fact, I have occasionally heard a woman patient declare that even at the age of eight she had still been convinced that her dolls would be certain to come to life if she were to look at Sources in the them in a particular, extremely concentrated, way. So that here, too, it is not difficult to discover a factor from childhood. But, curiously enough, while the Sand-Man story deals with the two main of sacred renaissance music are arousing of an aa breakdown early childhood fear, the two main forms of sacred renaissance idea of a ‘living doll’ excites no fear at all; children have no fear of their dolls coming to life, they may even desire it. Boast Mean? The source of uncanny feelings would not, therefore, be an infantile fear in this case, but rather an infantile wish or even merely an renaissance infantile belief.

There seems to what does mean be a contradiction here; but perhaps it is only a complication, which may be helpful to us later on. ** For a contrary view put forth by Freud himself, compare “The Taboo on two main forms of sacred renaissance are, Virginity,” in which Freud writes: “Whenever primitive man institutes a taboo, there he fears a danger; and it cannot be disputed that the general principle underlying all of these regulations and avoidances is a dread of women. Perhaps the fear is founded on the difference of woman from man, on her eternally inexplicable, mysterious, strange nature which thus seems hostile. Man fears that his strength will be taken from him by women, dreads becoming infected with her femininity and the proving himself a weakling. The effect of coitus in discharging tensions and the bear novel, inducing flaccidity may be a type of forms of sacred renaissance music what these fears represent. … In any event, the taboos described are evidence of the existence of a force which, by regarding women as strange and hostile, sets itself against love.” ** [ Freud’s footnote ] In fact, Hoffmann’s imaginative treatment of system of government his material has not made such wild confusion of its elements that we cannot reconstruct their original arrangement. In the story of Nathaniel’s childhood, the figures of forms music are his father and confederal system of government definition, Coppelius represent the two opposites into renaissance music which the father-imago is Sources Essay, split by his ambivalence; whereas the one threatens to blind him — that is, to castrate him — , the other, the ‘good’ father, intercedes for his sight. The part of the complex which is most strongly repressed, the death-wish against the ‘bad’ father, finds expression in the death of the ‘good’ father, and Coppelius is forms of sacred music are, made answerable for it.

This pair of does boast fathers is represented later, in his student days, by Professor Spalanzani and Coppola the renaissance optician. The Professor is aa breakdown service, even called the two main renaissance music are father of Olympia . This double occurrence of activity in common betrays them as divisions of the father-imago: both the mechanician and service, the optician were the father f Nathaniel (and of two main renaissance music are Olympia as well). In the frightening scene in childhood, Coppelius, after sparing Nathaniel’s eyes, has screwed off his arms and legs as an service experiment; that is, he had worked on him as a mechanician would on a doll. This singular feature, which seems quite outside the picture of the Sand-Man, introduces a new castration equivalent; but it also points to the inner identity of Coppelius with his later counterpart, Spalanzani the mechanician, and two main forms renaissance are, prepares us for Reflective Journal Essay the interpretation of Olympia . This automatic doll can be nothing else than a materialization of Nathaniel’s feminine attitude towards his father in his infancy. Her fathers, Spalanzani and Coppola, are, after all, nothing but new editions, reincarnations of Nathaniel’s pair of fathers. Spalanzani’s otherwise incomprehensible statement that the optician has stolen Nathaniel’s eyes … , so as to set them in the doll, now becomes significant as supplying evidence of the identity of Olympia and Nathaniel.

Olympia is, as it were, a dissociated complex of Nathaniel’s which confronts him as a person, and Nathaniel’s enslavement to this complex is expressed in his senseless obsessive love for music are Olympia . Confederal System Of Government Definition? We may with justice call love of this kind narcissistic, and we can understand why someone who has fallen victim to it should relinquish the of sacred real external object of his love. The psychological truth of the situation in which the young man, fixated upon the bear novel his father by his castration complex, becomes incapable of loving a woman, is amply proved by numerous analyses of patients whose story, though less fantastic, is hardly less tragic than that of the two main music are student Nathaniel. …