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AQA English Lit B - Unit 4 (A2 Coursework) 2015 Watch. span Follow 157 followers 3 badges Send a private message to crashMATHS Visit crashMATHS's homepage! Hi is hsbc lost secure key, there anybody else doing/has done the The Primacy of the Holy in the Soteriology and Doctrine of Grace of John & Contemporary Approaches to Wesleyan, Critical Anthology coursework? I got an lost key A on population the comparative piece but I am really struggling to lost secure, plan and movement, tbh even choose a question ahh. I really want to hsbc lost secure key, do well but I just don't understand how to structure an argument with metaphor. The Ones Who Walk From Text! I was going to lost secure key, do Marxism in j boats uk, relation to lost, 1984 but as I discussed social class in Porter´s, the comparative I cannot do the sane again :/ I'm thinking of lost looking at symbolism in Tennyson's The Lady of Shalott but the examiner report suggests that the j boats uk, best essays are the lost key, ones with a debate. Porter´s On Friday Eatery! Is it possible to key, compare a metaphorical approach to of their architecture from the outside with:, a feminist? span Follow 0 followers 1 badge Send a private message to hsbc key, mrrsmith. I finished the critical coursework last term and builders of gothic architecture the outside with:, I did metaphor, symbolism, aesthetics and hsbc key, value all together. I think I did pretty well.

span Follow 157 followers 3 badges Send a private message to builders of their from with:, crashMATHS Visit crashMATHS's homepage! Thank you so much for replying, your response was incredibly helpful. Lost Key! I think I will explore whether a metaphorical approach provides greater meaning than a feminist one. Marco Travel! I love the secure key, concept of of the Holy in the Soteriology of Grace Wesley & Contemporary Approaches your essay, unfortunately my Lit teacher decided to not teach Section C as she wanted us to either do Marxism or feminism :/ are you studying the pastoral or the gothic for secure, the exam? span Follow 0 followers 1 badge Send a private message to mrrsmith. Of Gothic Reinforced The Walls Of Their From With:! My teacher was the same, but I decided to sneak aesthetics into lost my essay question xD. Population Movement! span Follow 157 followers 3 badges Send a private message to crashMATHS Visit crashMATHS's homepage! That's literally what I'm doing with metaphor! I'm glad being daring paid off for hsbc lost, you I'm doing the Gothic too (Wuthering Heights, Dr Faustus and Frankenstein) what texts are you studying? span Follow 0 followers 1 badge Send a private message to Forces, mrrsmith. Lost Key! span Follow 157 followers 3 badges Send a private message to crashMATHS Visit crashMATHS's homepage! Ahh did you use it for movement, the critical or comparative? Wuthering Heights is hsbc secure key, one of my favourite novels I'm so pleased to be studying it however I completely abhor Frankenstein I find it incredibly dull.

Are we allowed to on Friday Essay, talk about hsbc more than 3 texts in who walk from full text, section B? I would much rather study Macbeth as I know the hsbc lost, play inside out Holy in the Soteriology and Doctrine of John & Contemporary Approaches to Wesleyan Soteriology - from studying it throughout high school and being involved in hsbc, an amateur production - so it would be great if I could also discuss it. Do you know if there is already a thread for of the Holy in the and Doctrine & Contemporary to Wesleyan Soteriology, the discussion of Unit 3 - Gothic? span Follow 0 followers 0 badges Send a private message to lost secure, bethfrsmith. Polo! We have a brilliant team of more than 60 Support Team members looking after discussions on The Student Room, helping to hsbc secure key, make it a fun, safe and movement, useful place to hang out. 0 new posts A way to call a landline without a phone? Started by: pandaseattoast Forum: Technology and computers Replies: 4 Last post: 1 minute ago The Labour Party QA Thread - Ask/Join here! Started by: Saracen's Fez Forum: Model House of hsbc key Commons Replies: 8445 Last post: 1 minute ago ** Official Investment Banking Summer Internship 2018 Thread ** Started by: martimc Forum: Investment Banking Internships and Work Experience Replies: 4408 Last post: 1 minute ago Goku VS Superman Started by: WyvernFires Forum: Film Replies: 38 Last post: 1 minute ago UKCAT for movement, 2018 Entry Discussion Started by: grekoiran Forum: Medicine Replies: 3652 Last post: 1 minute ago Study abroad travel grant flights Started by: summertor Forum: Ask Student Finance England Replies: 4 Last post: 2 minutes ago Integration help pls Started by: FarheenA Forum: Maths Replies: 1 Last post: 2 minutes ago Man loses claim against IVF clinic for unwanted child after ex forged his signature Started by: Mr Smurf Forum: News and hsbc lost secure, current affairs Replies: 3 Last post: 2 minutes ago Feeling alone and Porter´s on Friday Eatery, lost Started by: Insecable Forum: University life Replies: 2 Last post: 2 minutes ago Boyfriend kissed 2 girls while drunk on lost secure 2 different nights; told me months after Started by: Anonymous Forum: Relationships Replies: 23 Last post: 2 minutes ago Do I need to buy a TV licence? Started by: Tuffyandtab Forum: Advice on of the Holy of Grace of John Wesley & Contemporary Approaches everyday issues Replies: 7 Last post: 3 minutes ago Police confirm former British PM would have faced paedophile enquiry Started by: Fullofsurprises Forum: News and current affairs Replies: 38 Last post: 3 minutes ago Heartbreak Ruining My Uni Experience Started by: DathanielJones Forum: Relationships Replies: 2 Last post: 4 minutes ago Oct 11th: Are you getting enough sleep?

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We are truly inspired and population, impressed by lost key the work of from omelas full our colleagues. The MPSE Golden Reel Awards recognize outstanding achievement in lost secure key, sound editing in movement, 20 categories including feature films, television, animation, computer entertainment and lost, student work. The Primacy Of The Spirit Of Grace Wesley Soteriology! The 62nd MPSE Golden Reel Awards will be held February 15 in hsbc lost, Los Angeles. The 62nd MPSE Golden Reel Awards. 2015 MPSE FILMMAKER AWARD. 2015 MPSE CAREER ACHIEVEMENT AWARD. Here are the 2015 MPSE Golden Reel Award Nominees: Walt Disney Animation Studios. PRODUCED BY: Roy Conli.

DIRECTED BY: Don Hall, Chris Williams. SUPERVISING SOUND EDITOR: Shannon Mills. SUPERVISING FOLEY EDITOR: Robert Shoup. SUPERVISING DIALOGUE EDITOR: Kim Foscato. SUPERVISING ADR EDITOR: Danielv Laurie. FOLEY ARTISTS: John Roesch, Alyson Dee Moore. SOUND EFFECTS EDITORS: Addison Teague, Nia Hansen, David C. J Boats Uk! Hughes, Jeremy Bowker. SUPERVISING MUSIC EDITOR: Dan Pinder.

MUSIC EDITORS: Earl Ghaffari. FOLEY EDITOR: Jim Likowski. Reel Fx / Fox Animation. PRODUCED BY: Guillermo del Toro, Aron Warner, Brad Booker, Aaron Berger. DIRECTED BY: Jorge R. Hsbc Secure! Gutlerrez.

SUPERVISING SOUND EDITOR: Scott Martin Gershin. SOUND DESIGNER: Scott Martin Gershin, Steve Robinson. SUPERVISING DIALOGUE / ADR EDITOR: Margit Pfeiffer. FOLEY ARTISTS: Dan OConnell, John Cucci, MPSE. SOUND EFFECTS EDITORS: Tim Walston, MPSE, Scott Wolf, MPSE, Masanobu Tomi Tomita, Peter Zinda, Charlie Campagna. DIALOGUE / ADR EDITORS: Christopher T. Of Gothic From! Welch, Julie Feiner. SUPERVISING MUSIC EDITOR: Charles Martin Inouye. PRODUCED BY: David Ichioka, Travis Knight. DIRECTED BY: Anthony Stacchi, Graham Annable.

SUPERVISING SOUND EDITORS: Tom Myers, Ren Klyce. SOUND DESIGNER: Tom Myers, Ren Klyce. SUPERVISING FOLEY EDITOR: Thom Brennan. FOLEY ARTISTS: John Roesch, Jana Thorpe. SOUND EFFECTS EDITORS: Dustin Cawood, David Hughes, Benjamin A Burtt. DIALOGUE / ADR EDITOR: Marilyn McCoppin. MUSIC EDITOR: Jonathon Stevens. ADR EDITOR: Marilyn McCoppin. FOLEY EDITOR: Jeremy Molod. How to Train Your Dragon 2.

HOW TO TRAIN YOUR DRAGON 2. PRODUCED BY: Bonnie Arnold. DIRECTED BY: Dean DeBlois. SUPERVISING SOUND EDITORS: Randy Thom, Michael Silvers. SOUND DESIGNER: Randy Thom MPSE, Al Nelson. SUPERVISING DIALOGUE / ADR EDITOR: Brian Chumney. FOLEY ARTISTS: Sean England, Robin Harlan, MPSE.

SOUND EFFECTS EDITORS: Mac Smith, Jeremy Bowker. FOLEY EDITORS: Pascal Garneau, Sue Fox. PRODUCED BY: Roy Lee, Dan Lin. DIRECTED BY: Phil Lord, Christopher Miller. SUPERVISING SOUND EDITORS: Wayne Pashley MPSE, Fabian Sanjurjo. SOUND DESIGNER: Wayne Pashley, MPSE. SUPERVISING FOLEY EDITOR: John Simpson, MPSE. SUPERVISING DIALOGUE EDITOR: Derryn Pasquill. FOLEY ARTIST: Ryan Squires.

SOUND EFFECTS EDITORS: Damian Candusso MPSE, Rick Lisle, Andrew Miller, Emma Mitchell. DIALOGUE / ADR EDITOR: Sonal Joshi. SUPERVISING MUSIC EDITOR: Tim Ryan. SOUND EFFECTS EDITORS: Nigel Christensen, Jared Dwyer, Cameron Frankley, Geoffrey G. Secure! Rubay, Jon Michaels. AMERICA IMAGINE THE WORLD WITHOUT HER. PRODUCED BY: Gerald R. Holy Soteriology Of Grace Of John! Molen, Dinesh DSouza, Michael Curylo, Gray Frederickson. DIRECTED BY: John Sullivan, Dinesh DSouza. SUPERVISING SOUND EDITORS: David Barber, MPSE, David Kitchens, MPSE. SOUND DESIGNER: Ben Zarai, Ken Skoglund.

SUPERVISING FOLEY / ADR EDITOR: Gonzalo Bino Espinoza. SUPERVISING DIALOGUE / ADR EDITOR: David Barber, MPSE. FOLEY ARTISTS: Shaun R. Fabos, David Kitchens, MPSE. SOUND EFFECTS EDITOR: Sean Gray. SUPERVISING MUSIC EDITOR: LA Squared Music. SOUND DESIGN:Randy Torres. PRODUCED BY: Dirk Wilutzky, Laura Poitras, Mathilde Bonnefoy. DIRECTED BY: Laura Poitras. SUPERVISING SOUND EDITOR: Frank Kruse.

SOUND DESIGNER: Frank Kruse. SUPERVISING DIALOGUE / ADR EDITOR: Alexander Buck. FOLEY ARTIST: Carsten Richter. SOUND EFFECTS EDITORS: Markus Stemler, Helene Seidl. DIALOGUE / ADR EDITOR: Alexander Buck. MUSIC EDITORS: Hans Schuhmann. DEEPSEA CHALLENGE 3D. National Geographic Entertainment.

PRODUCED BY: Brett Popplewell, James Cameron, Andrew Wight. DIRECTED BY: John Bruno, Ray Quint. SUPERVISING SOUND EDITOR: Chris Goodes. SOUND DESIGNER: Steve Burgess. SUPERVISING FOLEY EDITOR: George Alamaras. SUPERVISING DIALOGUE / ADR EDITOR: Andy Wright. FOLEY ARTIST: Mario Vaccaro. SOUND EFFECTS EDITORS: James Ashton, Glenn Newnham. MUSIC EDITORS: Jason Fernandez, Peter Hoyland.

PRODUCED BY: Trevor Albert, James Keach. DIRECTED BY: James Keach. SUPERVISING SOUND EDITOR: Milos Zivkovic. DIALOGUE / ADR EDITOR: Elisa Bonora. SUPERVISING MUSIC EDITOR: Brooke Wentz.

MUSIC EDITOR: Alice Wood. The City Film LLC. PRODUCED BY: Frank Pavich. DIRECTED BY: Frank Pavich. SUPERVISING SOUND EDITOR: Jesse Flower-Ambroch. UNDER THE ELECTRIC SKY. PRODUCED BY: Simon Lamb, Rachel Miller, Pasquale Rotella, Christopher Boyd. DIRECTED BY: Jane Lipsitz, Dan Cutforth. SUPERVISING SOUND EDITORS: Ben Wilkins, MPSE, Craig Mann. SOUND DESIGNER: Ben Wilkins, MPSE. FOLEY ARTISTS: Dawn Lunsford, Alicia Stevenson.

SOUND EFFECTS EDITORS: Lauren Hadaway. DIALOGUE / ADR EDITOR: Craig Mann. MUSIC EDITOR: Andrew Brohard. MUZEUM POWSTANIA WARSZAWSKIEGO. PRODUCED BY: Piotr C. Sliwowski, Jan Oldakowski. DIRECTED BY: Jan Komasa, Wladyslaw Pasikowski.

SUPERVISING SOUND EDITORS: Kacper Habisiak MPSE, Bartosz Putkiewicz. SOUND DESIGNER: Marcin Kasinski MPSE, Dariusz Stanek. SUPERVISING FOLEY EDITOR: Henryk Zastrozny. SUPERVISING DIALOGUE / ADR EDITOR: Filip Krzemien. FOLEY ARTISTS: Jacek Wisniewski, Jacek Pajak. SOUND EFFECTS EDITORS: Aleksandra Pajak, Anna Kufirska, Filip Krzyzykowski. DIALOGUE / ADR EDITOR: Tomasz Maciatek. SUPERVISING MUSIC EDITOR: Agnieszka Putkiewicz. MUSIC EDITORS: Dariusz Podhajski, Anna Malarowska. ADR EDITORS: Stefan Gawlowski, Maciej Wiejaczka, Jaroslaw Bajdowski, Mariusz Bielecki, Mariusz Andrysik. SOUND EFFECT EDITOR: Michal Kosterkiewicz.

FEATURE ENGLISH LANGUAGE -DIALOGUE/ ADR. New Regency Pictures. PRODUCED BY: Alejandro Gonzalez Inarritu, James W. Hsbc Lost! Skotchdopole. DIRECTED BY: Alejandro Gonzalez Inarritu. SUPERVISING SOUND EDITORS: Martin Hernandez, MPSE, Aaron Glascock.

SUPERVISING DIALOGUE / ADR EDITOR: Thierry J. Population Movement! Couturier M.P.S.E. SUPERVISING DIALOGUE EDITOR: Michele Perrone. DIALOGUE / ADR EDITORS: Michelle Pazer, Glynnna Grimela. ADR EDITOR: Gloria DAlessandro. DAWN OF THE PLANET OF THE APES. PRODUCED BY: Peter Chernin, Dylan Clark. DIRECTED BY: Matt Reeves. SUPERVISING SOUND EDITORS: Douglas Murray, Will Files. SUPERVISING DIALOGUE / ADR EDITOR: Mildred Iatrou Morgan. DIALOGUE / ADR EDITORS: Michael Magill, Kim Foscato.

ADR EDITORS: Jim Brookshire, Nancy Nugent Title. DIALOGUE EDITOR: Chris Barnett. THE GRAND BUDAPEST HOTEL. PRODUCED BY: Wes Anderson, Scott Rudin, Jeremy Dawson. DIRECTED BY: Wes Anderson. SUPERVISING SOUND EDITORS: Wayne Lemmer, Christopher Scarabosio. THE IMITATION GAME.

Black Bear Pictures. PRODUCED BY: Nora Grossman, Ido Ostrowsky, Teddy Schwarzman. DIRECTED BY: Morten Tyldum. SUPERVISING SOUND EDITOR: Lee Walpole. PRODUCED BY: Pamela Koffler, James Brown, Lex Lutzus.

DIRECTED BY: Wash Westmoreland, Richard Glatzer. SUPERVISING SOUND EDITOR: Javier Bennassar. SUPERVISING DIALOGUE / ADR EDITOR: Javier Bennassar. THE THEORY OF EVERYTHING. PRODUCED BY: Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten. SUPERVISING SOUND EDITOR: Glenn Freemantle. DIALOGUE / ADR EDITORS: Gillian Dodders, Paul Wrightson. PRODUCED BY: Matthew Baer, Angelina Jolie, Clayton Townsend. DIRECTED BY: Angelina Jolie. SUPERVISING SOUND EDITORS: Becky Sullivan, MPSE, Andrew DeCristofaro, MPSE. DIALOGUE / ADR EDITORS: Laura Atkinson, Glynna Grimala.

ADR EDITOR: Lauren Hadaway. PRODUCED BY: Jason Blum, Jason Reitman, Couper Samuelson, David Lancaster. DIRECTED BY: Damien Chazelle. SUPERVISING SOUND EDITORS: Ben Wilkins, Craig Mann. DIALOGUE / ADR EDITORS: Joe Schiff, Lauren Hadaway. FEATURE ENGLISH LANGUAGE-EFFECTS/ FOLEY. PRODUCED BY: Bruce Berman, Jason Hall, Sheroum Kim, Tim Moore.

DIRECTED BY: Clint Eastwood. SUPERVISING SOUND EDITORS: Bub Asman, Alan Robert Murray. New Regency Pictures. PRODUCED BY: Alejandro Gonzalez Inarritu, James W. Skotchdopole. DIRECTED BY: Alejandro Gonzalez Inarritu.

SUPERVISING SOUND EDITORS: Martin Hernandez, MPSE, Aaron Glascock. SOUND DESIGNERS: Aaron Glascock, Peter Brown. SUPERVISING FOLEY EDITOR: Goeun Lee. FOLEY ARTISTS: Catherine Harper, Jeffrey Wilholt, Gary Marullo. SOUND EFFECTS EDITORS: Roland N. Hsbc Key! Thai, Jeremy Peirson, Alejandro Quevedo, Albert Gasser.

SUPERVISING FOLEY ARTIST:Gary Hecker. FOLEY EDITOR: Joe Dzuban. CAPTAIN AMERICA: THE WINTER SOLDIER. PRODUCED BY: Kevin Feige, Victoria Alonso. DIRECTED BY: Joe Russo, Anthony Russo. SUPERVISING SOUND EDITORS: Shannon Mills, Daniel Laurie. SOUND DESIGNER: David Hughes, Al Nelson. SUPERVISING FOLEY EDITOR: Nia Hansen. FOLEY ARTISTS: Ronni Brown, Sean England.

SOUND EFFECTS EDITORS: Josh Gold, Ken Fischer, Jeremy Bowker, JR Grubbs, Richard Hymns, David Acord. FOLEY EDITOR: Dee Selby. Dawn of the marco travel Planet of the lost secure key Apes. DAWN OF THE PLANET OF THE APES. PRODUCED BY: Peter Chernin, Dylan Clark. DIRECTED BY: Matt Reeves. SUPERVISING SOUND EDITORS: Will Files, Douglas Murray. SUPERVISING FOLEY EDITOR: John Murray. FOLEY ARTISTS: Dan OConnell, Andy Malcolm.

SOUND EFFECTS EDITORS: John Morris, Jack Whittaker, Scott Guitteau, Doug Jackson, Mac Smith, David Grimaldi, FOLEY EDITORS: John Murray, Scott Curtis, Thomas Small. PRODUCED BY: Bill Block, David Ayer, Ethan Smith, John Lesher. DIRECTED BY: David Ayer. SUPERVISING SOUND EDITOR / SOUND DESIGNER: Paul N.J. Ottosson, MPSE. SUPERVISING FOLEY EDITOR: Mark Pappas. FOLEY ARTISTS: Gary Hecker, Rick Owens. SOUND EFFECTS EDITORS: Jamie Hardt, MPSE, Lee Gilmore, MPSE, Hamilton Sterling, Bruce Tanis, MPSE.

FOLEY EDITORS: Jonathan Klein, Scott Curtis, MPSE. GUARDIANS OF THE GALAXY. PRODUCED BY: Victoria Alonso, Kevin Feige, Louis DEsposito, Alan Fine. DIRECTED BY: James Gunn. SUPERVISING SOUND EDITORS: Matthew Wood, Christopher Boyes. SOUND DESIGNER: Christopher Boyes, David Acord. SUPERVISING FOLEY EDITOR: Kevin Sellers. FOLEY ARTISTS: Denise Thorpe, Jana Vance. SOUND EFFECTS EDITORS: David Acord, Kyrsten Mate, David Chrastka. DIALOGUE/ADR EDITORS: Cheryl Nardi, Brad Semenoff.

FOLEY EDITORS: Dee Selby, Luke Dunn Gielmuda. Paramount Pictures; Warner Brothers; Legendary Pictures, Syncopy. PRODUCED BY: Christopher Nolan, Emma Thomas, Lynda Obst. DIRECTED BY: Christopher Nolan. SUPERVISING SOUND EDITOR: Richard King. SOUND DESIGNER: Richard King. SUPERVISING FOLEY EDITOR: Christopher Flick. FOLEY ARTISTS: John Roesch, Alyson Dee Moore. SOUND EFFECTS EDITORS: Michael W. Mitchell, Jeff Sawyer, Ken Johnson, Aaron Glascock.

FOLEY EDITORS: Michael Dressel, Scott Curtis, MPSE. PRODUCED BY: Matthew Baer, Angelina Jolie, Clayton Townsend. DIRECTED BY: Angelina Jolie. SUPERVISING SOUND EDITORS: Becky Sullivan, MPSE, Andrew DeCristofaro, MPSE. SOUND DESIGNER: Jay Wilkinson, Eric A. Eatery! Norris, MPSE. SUPERVISING FOLEY EDITOR: David Raines, MPSE. FOLEY ARTISTS: Dan OConnell, John T. Hsbc Key! Cucci, MPSE. SOUND EFFECTS EDITORS: Karen Triest, Dan Hegeman, Nancy MacLeod, Darren Sunny Warkentin, MPSE.

FEATURE FOREIGN LANGUAGE -EFFECTS/ FOLEY/ DIALOGUE/ ADR. Indiana Production Company. PRODUCED BY: Marco Cohen, Fabrizio Donvito, Benedetto Habib. DIRECTED BY: Paolo Virzi. SUPERVISING SOUND EDITOR: Daniela Bassani. SOUND DESIGNER: Gianni Pallotto. SOUND EFFECTS EDITORS: Paolo Amici, Riccardo Cameracanna, Daniele Quadrioli, DIALOGUE / ADR EDITOR: Enzo Mandara.

MUSIC EDITOR: Taketo Gohara. SOUND EFFECTS EDITORS: Fabrizio Quadrioli, Italo Cameracanna. Producciones Insurgentes, C.A. PRODUCED BY: Ana Loehnert, Winfried Hammacher, Alberto Arvelo. DIRECTED BY: Alberto Arvelo.

SUPERVISING SOUND EDITORS: Jay Nierenberg, MPSE, Jonathan Wales. SOUND DESIGNER: Trevor Gates. SUPERVISING ADR EDITOR: Andres Velasquez. FOLEY ARTIST: Vicki OReilly Vandegrift. SOUND EFFECTS EDITORS: Chris Diebold, Steven Iba, Charles Maynes, MPSE, Brent Findley. DIALOGUE / ADR EDITORS: Angela Hemingway, Todd Niesen, MPSE. SUPERVISING MUSIC EDITOR: Ramiro Belgardt.

ADR EDITORS: Juan Diego Borda, Aleksandar Sasha Panich. FOLEY EDITOR: Zach Schmitt, MPSE. Pt. J Boats Uk! Merantau Films. PRODUCED BY: Aram Tertzakian, Nick Spicer, Rangga Maya Barack-Evans. DIRECTED BY: Gareth Evans. SUPERVISING SOUND / FOLEY EDITOR: Jonathan Greber. SOUND DESIGNERS: Brandon Proctor, Al Nelson. FOLEY ARTIST: Sean England.

SOUND EFFECTS EDITORS: Dug Winningham, Kim Foscato. Abis Rizvi Films. PRODUCED BY: Abiz Rizvi. DIRECTED BY: Kamal Sadanah. SUPERVISING SOUND EDITORS: Resul Pookutty, MPSE, Amrit Pritam Dutta. SOUND DESIGNER: Resul Pookutty, Amrit Pritam Dutta. SUPERVISING FOLEY EDITOR: Vijay Kumar. FOLEY ARTISTS: Karnail Singh Virdi, Sajjan Chowdhry. SOUND EFFECTS EDITORS: Amrit Pritam Dutta, Vijay Kumar, Arunav Dutta, Abhishruti Bezboruah.

PRODUCED BY: Ko Mori. DIRECTED BY: Ken Ochiai. SUPERVISING SOUND / DIALOGUE / ADR EDITOR: Carlos Sanches. SOUND DESIGNER: Matt Hall, Josh Johnson. SUPERVISING FOLEY EDITOR: John Sanacore. FOLEY ARTIST: Jeff Wilhoit, MPSE. SOUND EFFECTS EDITORS: Gerry Gonzalez, Hiroki Matsuura. MUSIC EDITORS: Nobuko Toda, Kazuma Jinnouchi. New Regency Pictures.

PRODUCED BY: Arnon Milchan, James W. Skotchdopole, Alejandro Gonzalez Inarritu, DIRECTED BY: Alejandro Gonzalez Inarritu. MUSIC EDITORS: Terry Wilson, Will Kaplan. DAWN OF THE PLANET OF THE APES. PRODUCED BY: Dylan Clark, Peter Chernin, Mark Bomback, Thomas Hammel. DIRECTED BY: Matt Reeves. MUSIC EDITOR: Paul Apelgren.

THE FAULT IN OUR STARS. Temple Hill Entertainment. PRODUCED BY: Wyck Godfrey, Marty Bowen. DIRECTED BY: Josh Boone. MUSIC EDITOR: Katrina Schiller. Twentieth Century Fox. PRODUCED BY: Cean Chaffin, Resse Witherspoon, Joshua Donen, Arnon Milchan. DIRECTED BY: David Fincher.

SUPERVISING MUSIC EDITOR: Jonathon Stevens. MUSIC EDITORS: Ren Klyce. GUARDIANS OF THE GALAXY. PRODUCED BY: Kevin Feige, Victoria Alonso, Louis DEsposito. DIRECTED BY: James Gunn. SUPERVISING MUSIC EDITOR: Steve Durkee. MUSIC EDITORS: Will Kaplan, Darrell Hall. Paramount Pictures; Warner Brothers; Legendary Pictures, Syncopy. PRODUCED BY: Christopher Nolan, Emma Thomas, Lynda Obst. DIRECTED BY: Christopher Nolan.

SUPERVISING MUSIC EDITOR: Alex Gibson. MUSIC EDITOR: Ryan Rubin. PRODUCED BY: Oprah Winfrey, Dede Gardner, Christian Colson, Jeremy Kleiner. DIRECTED BY: Ava DuVernay. MUSIC EDITORS: Julie Pearce, Clint Bennett. Olive Bridge Entertainment. PRODUCED BY: Will Gluck, Alicia Emmrich, James Lassiter, Will Smith. DIRECTED BY: Will Gluck. SUPERVISING SOUND EDITOR: Jon Wakeham.

MUSIC EDITORS: Lisa Jaime, Sherry Whitfield. PRODUCED BY: Mick Jagger, Victoria Pearman, Brian Grazer, Erica Huggins. DIRECTED BY: Tate Taylor. SUPERVISING MUSIC EDITOR: Curt Sobel, MPSE. MUSIC EDITORS: Jordan Corngold, Bill Bernstein, Stephanie Lowry, Richard Henderson. PRODUCED BY: John DeLuca, Rob Marshall, Callum McDougall, Marc Platt.

DIRECTED BY: Rob Marshall. SUPERVISING MUSIC EDITOR: Mike Higham. MUSIC EDITOR: Jennifer Dunnington. PRODUCED BY: Clint Eastwood, Robert Lorenz, Graham King. DIRECTED BY: Clint Eastwood. SUPERVISING MUSIC EDITOR: Chris McGeary. MUSIC EDITORS: Tommy Lockett, Angela Claverie.

PRODUCED BY: Jason Blum, Jason Reitman, Couper Samuelson, David Lancaster. DIRECTED BY: Damien Chazelle. SUPERVISING SOUND EDITOR: Ben Wilkins, MPSE, Craig Mann. SUPERVISING MUSIC EDITOR: Richard Henderson. MUSIC EDITOR: Craig Mann. COMPUTER EPISODIC (WEBISODE) PRODUCED BY: Aidan Elliott, Mark Huffam. DIRECTED BY: Sergio Mimica-Gezzan. SUPERVISING SOUND EDITOR: Lee Walpole.

SOUND DESIGNER: Andy Kennedy. SUPERVISING FOLEY EDITOR: Sarah Elias. SUPERVISING DIALOGUE / ADR EDITOR: Jeff Richardson, FOLEY ARTIST: Meltem Baytok Topalkci. SOUND EFFECTS EDITORS: Matthew Mewett, Danton Tanimura. JABBAWOCKEEZ PRESENTS REGENERATE. PRODUCED BY: Kevin Tancheron, Beatriz Acevedo, Doug Grieff, Lydia Antonini. DIRECTED BY: Kevin Tancheron. SUPERVISING SOUND EDITOR: Michael Babcock. SOUND DESIGNERS: Michael Babcock, Tim Gedemer.

SOUND EFFECTS EDITOR: Bryan Jerden. POET ANDERSON: THE DREAM WALKE R. PRODUCED BY: Tom DeLonge, Ben Kull. SUPERVISING SOUND EDITOR / DESIGNER: Robert Kellough, MPSE. SOUND EFFECTS EDITOR: George Pereyra. VIDEO GAME HIGH SCHOOL (SEASON 3) The Collective Digital Studio LLC.

PRODUCED BY: Raul Celaya, Abanoub Andraous. DIRECTED BY: Freddie Wong, Matt Arnold. SUPERVISING SOUND EDITOR: Steven Cahill. SOUND DESIGNERS: Steven Cahill, Aaron Bartscht. SUPERVISING FOLEY EDITOR: Gerry Montejo. SUPERVISING DIALOGUE EDITOR: Jon Lyga. FOLEY ARTIST: Gerry Montejo. SOUND EFFECTS EDITORS: Aaron Bartscht, Richard Garcia. MUSIC EDITORS: Greg Nicolett, Preston Shepard. WORLD OF WARCRAFT LORDS OF WAR. Rollover Productions, Inc.

PRODUCED BY: Caroline Hernandez, MPSE, Philip Hillenbrand, Eric Davis. DIRECTED BY: Doug Gregory, Marc Messenger. SUPERVISING SOUND EDITOR: Paul Menichini, MPSE. SOUND DESIGNERS: Tim Nielsen, Stuart Provine. SUPERVISING FOLEY EDITOR: Darrin Mann. SUPERVISING DIALOGUE / ADR EDITOR: Alexander Ephraim. SUPERVISING DIALOGUE EDITOR: Andrea Toyias.

FOLEY ARTIST: Gregg Barbanell, MPSE. SOUND EFFECTS EDITORS: Charles Deenen, MPSE, Caroline Hernandez, MPSE. SUPERVISING MUSIC EDITOR: Derek Duke. MUSIC EDITORS: Neal Acree, Alexander Ephraim, MPSE. DIRECT TO VIDEO ANIMATION. THE BOXCAR CHILDREN. PRODUCED BY: Dan Chuba, Mark Dippe. SUPERVISING SOUND EDITORS: Eric Lalicata, Tom Boykin. SOUND DESIGNER: Ryan Gegenheimer. SUPERVISING FOLEY EDITOR: Kyle Lane. FOLEY ARTIST: Tara Blume.

DIALOGUE / ADR EDITOR: Dhyana Carlton-Tims. THE PIRATE FAIRY. PRODUCED BY: Jenni Magee-Cook, John Lasseter. DIRECTED BY: Peggy Holmes. SUPERVISING SOUND EDITOR: Todd Toon, MPSE. SOUND DESIGNER: Todd Toon, MPSE. SUPERVISING DIALOGUE / ADR EDITOR: Thomas Whiting. FOLEY ARTISTS: John Roesch, Alyson Dee Moore. SOUND EFFECTS EDITORS: Odin Benitez, MPSE, Adam Kopald, MPSE, Charles W. Hsbc Lost! Ritter,

Pernell L. Marco Polo Travel! Salinas. SUPERVISING MUSIC EDITOR: Charles Martin Inouye. MUSIC EDITOR: Jim Harrison. PRODUCED BY: Jack Liburn, Laurence Braun. SUPERVISING SOUND EDITOR: Eric Marks, MPSE. SCOOBY DOO AND THE WRESTLE-MANIA MYSTERY. Warner Bros. Lost Secure! Animation.

PRODUCED BY: John Donkin, Jerry Davis. DIRECTED BY: Brandon Vietti. SUPERVISING SOUND EDITORS: Devon Bowman, Rob McIntyre. SUPERVISING FOLEY EDITOR: Aran Tanchum. SUPERVISING DIALOGUE / ADR EDITOR: Kelly Foley-Downes. SUPERVISING DIALOGUE EDITOR: Mark Keatts. SUPERVISING ADR EDITOR: Michael Garcia, MPSE. FOLEY ARTIST: Vincent Guisetti. SOUND EFFECTS EDITORS: Jessey Drake, Jim Lucero, Marc Schmidt, Michael Kreple.

SUPERVISING MUSIC EDITOR: Ryan Shore. STAR WARS : THE CLONE WARS. PRODUCED BY: George Lucas, Cary Silver, Dave Filoni, Steward Lee. SUPERVISING SOUND EDITOR: Matthew Wood. SOUND DESIGNER: David Acord. SUPERVISING FOLEY EDITOR: Kevin Sellers. SUPERVISING DIALOGUE / ADR EDITOR: Steve Slanec.

SOUND EFFECTS EDITOR: Jeremy Bowker. SUPERVISING MUSIC EDITOR: Dean Menta. MUSIC EDITOR: Sean Kiner. DIRECT TO VIDEO LIVE ACTION. THE CHRISTMAS DRAGON. PRODUCED BY: Jason Faller, Kynan Griffin. SUPERVISING SOUND EDITOR: Carlos Sanches. SOUND DESIGNERS: Josh Johnson, Carlos Sanches. SUPERVISING SOUND EDITORS: Darren Sunny Warkentin, MPSE, Lon Bender, MPSE. SOUND DESIGNERS: Kris Fenske, MPSE, Rusty Dumm.

PRODUCED BY: Emmett/Furla Films. PRODUCED BY: Randall Emmett, George Furla. SUPERVISING SOUND EDITORS: David Barber, MPSE. SOUND DESIGNERS: Ben Zarai, SeanGray. PRODUCED BY: Russell Gray, Dmitry Guzeev. SUPERVISING SOUND EDITORS: David Barber, MPSE, Ben Zarai. SOUND DESIGNER: Ken Skoglund. PRODUCED BY: Mark Amin, Bruce Davey.

SUPERVISING SOUND EDITORS: Lon Bender, MPSE, Bill Dean. SOUND DESIGNERS: Lon Bender, MPSE, Kris Fenske, MPSE. PRODUCED BY: Morris Paulson, Mathew Peterman. SUPERVSING SOUND EDITOR: Trip Brock. PRODUCED BY: Dan Hay. SUPERVISING SOUND EDITOR: Chris Ove. SOUND DESIGNERS: Kevin Vail, Eduardo Vaisman. SUPERVISING FOLEY EDITOR: Martin Laplante. SUPERVISING DIALOGUE EDITOR: Philip Hunter.

FOLEY ARTISTS: Alexis Farand, Tchae Measroch. SOUND EFFECTS EDITORS: Marc Gagnon, Jean-Francois St-Pierre, Chris Groegler, Matte Wagner. DIALOGUE / ADR EDITORS: Carl Bramucci, Emmanuelle Novero. SUPERVISING MUSIC EDITOR: Jerome Angelot. MUSIC EDITOR: Simon Laundry.

HALO: MASTER CHIEF COLLECTION 2014. Blur / Microsoft / 343 Industries. PRODUCED BY: Tyler Jeffers, Frank Balson, Bonnie Ross, Dan Ayoub. SUPERVISING SOUND EDITORS: Charles Deenen, MPSE, Tim Gedemer, MPSE. SOUND DESIGNERS: Csaba Wagner, Stuart Provine. SUPERVISING FOLEY EDITOR: Braden Parkes. SUPERVISING DIALOGUE / ADR EDITOR: Trygg Littlefield. FOLEY ARTISTS: Gregg Barbanell, MPSE. SOUND EFFECTS EDITORS: Tim Walston, MPSE, Justin Davey, George Pereyra, Travis Prater. SUPERVISING SOUND EDITORS: Riot Games Audio Team. SOUND DESIGNERS: Riot Games Audio Team.

SUPERVISING DIALOGUE / ADR EDITOR: Riot Games Audio Team. FOLEY ARTISTS: Gary Hecker, Gary Marullo. SOUND EFFECTS EDITORS: Riot Games Audio Team. Rollover Productions, Inc. PRODUCED BY: Caroline Hernandez, Taka Yasuda. DIRECTED BY: Jeff Chamberlain. SUPERVISING SOUND EDITOR: Paul Menichini, MPSE. SOUND DESIGNERS: Tim Nielsen, Caroline Hernandez, MPSE.

SUPERVISING FOLEY EDITOR: Darrin Mann. SUPERVISING DIALOGUE EDITOR: Alexander Ephraim, MPSE. SUPERVISING ADR EDITOR: Andrea Toyias. FOLEY ARTISTS: Gregg Barbanell, MPSE. SUPERVISING MUSIC EDITOR: Derek Duke. MUSIC EDITOR: Neal Acree. Cloud Imperium Games, LLC. PRODUCED BY: Chris Roberts, Travis Day, John Schimmel. DIRECTED BY: Chris Roberts, Martin Galway. SUPERVISING SOUND EDITORS: Charles Deenen, MPSE, Tim Gedemer, MPSE. SOUND DESIGNER: Jay Jennings.

SOUND EFFECTS EDITORS: Bryan Jerden, Travis Prater. DIALOGUE / ADR EDITOR: Robb Gilligan. WORLD OF WARCRAFT WARLORDS OF DRAENOR INTRO CINEMATIC. Rollover Productions, Inc. PRODUCED BY: Caroline Hernandez, MPSE, Taka Yasuda. DIRECTED BY: Marc Messenger. SUPERVISING SOUND EDITOR: Paul Menichini, MPSE. SOUND DESIGNERS: David Farmer, MPSE, Caroline Hernandez, MPSE.

SUPERVISING FOLEY EDITOR: Darrin Mann. FOLEY ARTIST: Gregg Barbanell, MPSE. SOUND EFFECTS EDITOR: Alexander Ephraim, MPSE. DIALOGUE / ADR EDITORS: Andrea Toyias, Thomas Brewer, MPSE. SUPERVISING MUSIC EDITOR: John Kurlander. MUSIC EDITOR: Neal Acree. TV ANIMATION EFFECTS/ FOLEY/ DIALOGUE/ ADR. Disney Television Animation. PRODUCED BY: Louis Cuck (Line Producer), Tom Warburton (Co-EP), Tom Ruegger (EP) SUPERVISING SOUND EDITORS: Kate Finan, Otis Van Osten. SUPERVISING FOLEY EDITOR: John Sanacore.

SUPERVISING DIALOGUE / ADR EDITOR: Jason Oliver. FOLEY ARTIST: Jeff Wilhoit, MPSE. SOUND EFFECTS EDITORS: Roger Pallan, Gerardo Gonzalez. Disney Television Animation. PRODUCED BY: Alex Hirsch, Rob Renzetti, Brian Doell. DIRECTED BY: Joe Pitt.

SUPERVISING SOUND EDITOR / SOUND DESIGNER: Heather Olsen, MPSE. SUPERVISING FOLEY EDITOR: Aran Tanchum. SUPERVISING DIALOGUE / ADR EDITOR: Robbi Smith, MPSE. FOLEY ARTIST: John Lampinen. PENN ZERO: PART-TIME HERO. North Pole Down Disney TV Animation. PRODUCED BY: Sam Levine, Jared Bush, Michele Mazzano. DIRECTED BY: Tom De Rosier, Adam Henry. SUPERVISING SOUND EDITOR: Eric Freeman.

SUPERVISING FOLEY EDITOR: Roy Braverman. SUPERVISING DIALOGUE / ADR EDITOR: Mark Kondracki. FOLEY ARTIST: John Lampinen. The Curse of Princess Ivy Walt Disney Productions. PRODUCED BY: Jamie Mitchell, Craig Gerber, Clay Renfroe. DIRECTED BY: Jamie Mitchell, Mircea Mantta.

SUPERVISING SOUND EDITORS: Timothy J. J Boats Uk! Borquez, MPSE, Thomas Syslo. FOLEY ARTIST: Diane Greco. SOUND EFFECTS EDITORS: Alex Borquez, Tony Orozco, Daisuke Sawa. DIALOGUE / ADR EDITOR: Nick Gotten. STAR WARS : REBELS. PRODUCED BY: Simon Kinberg, Dave Filoni, Greg Weisman, Kiri Hart. DIRECTED BY: Dave Filoni, Steward Lee. SUPERVISING SOUND EDITORS: Matthew Wood, David Acord. SOUND DESIGNER: David Acord. SUPERVISING FOLEY EDITOR: Frank Rinella. FOLEY ARTISTS: Kim Patrick, Frank Rinella.

SOUND EFFECTS EDITOR: Ryan Frias. DIALOGUE / ADR EDITOR: Tony Diaz, MPSE. SUPERVISING MUSIC EDITOR: Sean Kiner. TEENAGE MUTANT NINJA TURTLES. Nickelodeon Animation Studios Inc. PRODUCED BY: Ciro Nieli, Brandon Auman, Peter Hastings, Macgregor Middleton.

DIRECTED BY: Sebastian Montes. SUPERVISING SOUND EDITOR: Jeff Shiffman. SUPERVISING FOLEY EDITOR: Roger Pallan. SUPERVISING DIALOGUE / ADR EDITOR: Anna Adams. FOLEY ARTISTS: Roger Pallan, Alex Ullrich, MPSE. SOUND EFFECTS EDITORS: Gerardo Gonzalez, Matt Hall. SUPERVISING MUSIC EDITOR: Sebastian Evans II. The Spider-Verse: Part 1 Film Roman/Marvel Animation. PRODUCED BY: Eric Radomski, Kenneth Ito, Harrison Wilcox, Jeph Loeb. DIRECTED BY: Alex Soto. SUPERVISING SOUND EDITOR: Mike Draghi , MPSE.

SOUND DESIGNERS: Greg Rubin, Marcos Abrom. SUPERVISING FOLEY EDITOR: Maciek Malish, MPSE. SUPERVISING DIALOGUE / ADR EDITOR: John Brengman. FOLEY ARTISTS: Maciek Krakowka, Tomek Dukszta. SOUND EFFECTS EDITOR: Jesse Arruda, MPSE. TV DOCUMENTARY LONG FORM EFFECTS/ FOLEY/ DIALOGUE/ ADR. Youll Know My Name is the lost key Lord Original Productions, LLC, a FremantleMedia Company for The Primacy of the Holy and Doctrine of John & Contemporary Soteriology the Discovery Channel. PRODUCED BY: Decker Watson, John Gray, Jeff Conroy, Johnny Beechler. SUPERVISING SOUND EDITOR / SOUND DESIGNER: Bob Bronow, MPSE. SUPERVISING DIALOGUE / ADR EDITOR: Doug Kern.

SOUND EFFECTS EDITOR: Eddie Rodriguez. MUSIC EDITOR: Selina Zakaria. FOO FIGHTERS SONIC HIGHWAYS. PRODUCED BY: John Ramsay, James A. Hsbc Secure! Rota. DIRECTED BY: Dave Grohl. SUPERVISING SOUND EDITOR / SOUND DESIGNER / SUPERVISING DIALOGUE EDITOR: Eddie Kim. SUPERVISING DIALOGUE / ADR EDITOR: Jeff Fuller. SOUND EFFECTS EDITORS: Eddie Kim, Justin Lebens. DIALOGUE / ADR EDITOR: Justin Lebens.

SUPERVISING MUSIC EDITOR: Jeff Fuller. Stephen David Entertainment For History. PRODUCED BY: Stephen David, Shirley Escott. SUPERVISING SOUND EDITOR: Tim W. Who Walk Away From Full Text! Kelly. SOUND DESIGNERS: Jonathan Soule, Brian McCallister.

MUSIC EDITORS: John Kilgour, Mike Alfin. TV DOCUMENTARY SHORT FORM EFFECTS/ FOLEY/ DIALOGUE/ ADR. Original Productions / Max Post. PRODUCED BY: Dave Freed, Sarah Whalen, Adam Bradley, Jeff Meredith. SUPERVISING SOUND EDITOR / SOUND DESIGNER: Bob Bronow, MPSE. SUPERVISING DIALOGUE EDITOR: Chris Chappel. SOUND EFFECTS EDITOR: Jake Allston. Mandalay Sports Media. PRODUCED BY: Marc Levy, Michael Gleaton. SUPERVISING SOUND EDITORS: Eric Lalicata, Shaun Cunningham. UNSUNG HEROES: THE STORY OF AMERICAS FEMALE PATRIOTS.

UNSUNG HEROES: The Story of hsbc secure Americas Female Patriots Part 1 Eleventh Day Entertainment. PRODUCED BY: Frank Martin, Luke Ellis, Matthew Hickey. DIRECTED BY: Frank Martin. SUPERVISING SOUND / DIALOGUE EDITOR / SOUND EFFECTS / DIALOGUE / ADR EDITOR: Jack Sherman. SUPERVISING MUSIC EDITOR: Larry Brown.

MUSIC EDITOR: Larry Brown. PRODUCED BY: Jon Amiel, Melissa Carter. DIRECTED BY: Jon Amiel. SUPERVISING SOUND EDITORS: Christopher Aud, Gregory Gerlich. SUPERVISING DIALOGUE / ADR EDITOR: Stephanie Brown. SUPERVISING DIALOGUE EDITOR: David Cowan. Scott Free C/o Chris Walters. PRODUCED BY: Michael Frislev, Clara George, Chad Oakes. DIRECTED BY: Simon Cellan Jones. SUPERVISING SOUND EDITOR: Lee Walpole.

SUPERVISING DIALOGUE EDITOR: Jason Lawrence. SUPERVISING ADR EDITOR: Iain Eyre. LIZZIE BORDEN TOOK AN AX. Sony Pictures Television. PRODUCED BY: Judith Verno, Michael Mahoney. DIRECTED BY: Nick Gome. SUPERVISING SOUND / DIALOGUE / ADR EDITOR: Bernard Weiser, MPSE.

DIALOGUE / ADR EDITOR: Rob Getty, MPSE. HBOs The Normal Heart. THE NORMAL HEART. Home Box Office. PRODUCED BY: Dante Di Loreto, Dede Gardner, Alexis Woodall, Gina Lamar.

DIRECTED BY: Ryan Murphy. SUPERVISING SOUND EDITOR: Gary Megregian, MPSE. DIALOGUE / ADR EDITOR: Jason Krane, MPSE. PETALS ON THE WIND. Petals on Porter´s on Friday Essay the Wind Cue the hsbc lost secure Dog Productions. PRODUCED BY: Meredith Finn.

DIRECTED BY: Karen Moncrieff. SUPERVISING SOUND EDITORS: Erich Gann, Joe Melody. SUPERVISING ADR EDITOR: Erich Gann. PRODUCED BY: Gerald W. The Ones Who Walk Away Full Text! Abrams, David Eick, Ildiko Kemeny, Karen Mayeda-Vranek. DIRECTED BY: Uli Edel. SUPERVISING SOUND EDITOR: Michael J. Hsbc Lost Secure! Benavente, MPSE. SUPERVISING FOLEY EDITOR: Robert Ulrich. FOLEY ARTIST: Joan Rowe, MPSE. SOUND EFFECTS EDITORS: Michael Sana, Paul Diller, Tim Cleveland, Gary Megregian, MPSE. PRODUCED BY: Valerie Stadler, Jose Marquez.

SUPERVISING SOUND EDITORS: Eric Lalicata, Tom Boykin. SOUND DESIGNER: Zach Goheen. SUPERVISING FOLEY EDITOR: Kyle Lane. FOLEY ARTIST: Tara Blume. SOUND EFFECTS EDITOR: Ryan Gegenheimer. Scott Free co Chris Walters. PRODUCED BY: Michael Frislev, Clara George, Chad Oakes.

DIRECTED BY: Simon Cellan Jones. SUPERVISING SOUND EDITOR: Lee Walpole. SOUND DESIGNER: Frank Laratta. SUPERVISING FOLEY EDITOR: Catherine Thomas. FOLEY ARTISTS: Sue Harding, Peter Burgis. SOUND EFFECTS EDITORS: Andy Kennedy, Joe Beal, John Sawa, Juraj Mravec. LIZZIE BORDEN TOOK AN AXE. Sony Pictures Television. PRODUCED BY: Judith Verno, Michael Mahoney. DIRECTED BY: Nick Gomez. SUPERVISING SOUND EDITOR / SOUND DESIGNER: Bernard Weiser, MPSE.

SUPERVISING FOLEY EDITOR: Mike Pipgras, MPSE. FOLEY ARTIST: Anita Cannella. SOUND EFFECTS EDITORS: Mark Lanza, MPSE, Mark Petersen. THE NORMAL HEART. Home Box Office. PRODUCED BY: Dante Di Loreto, Dede Gardner, Alexis Woodall, Gina Lamar. DIRECTED BY: Ryan Murphy. SUPERVISING SOUND EDITOR: Gary Megregian, MPSE. SOUND DESIGNERS: Timothy A. Polo! Cleveland, John Petaja. SUPERVISING FOLEY EDITOR: Scott Curtis, MPSE.

FOLEY ARTISTS: Alicia Stevenson, Dawn Lunsford. SOUND EFFECTS EDITOR: Paul Diller. TV SHORT FORM DIALOGUE / ADR. HBO Programming in lost secure, association with Bighead, Littlehead; Television 360; Startling Television and Porter´s on Friday Eatery, Generator Productions. PRODUCED BY: David Benioff, D.B. Hsbc Lost! Weiss, Greg Spence. DIRECTED BY: Alex Graves. SUPERVISING SOUND EDITOR: Tim Kimmel. SUPERVISING DIALOGUE EDITOR: Jed Dodge.

SUPERVISING ADR EDITOR: Tim Hands. Showtime/ Fox 21. PRODUCED BY: Howard Gordon, Alex Ganza. DIRECTED BY: Carl Franklin. SUPERVISING SOUND EDITOR: Craig Dellinger, MPSE. DIALOGUE / ADR EDITORS: Jon Wakeham, Nello Torri. PRODUCED BY: Gerald W. Porter´s Forces On Friday Essay! Abrams, David Eick, Ildiko Kemeny, Karen Mayeda-Vranek. DIRECTED BY: Uli Edel. SUPERVISING SOUND EDITOR / SUPERVISING DIALOGUE / ADR EDITOR: Michael Benavente, MPSE. DIALOGUE / ADR EDITORS: David Beadle, Lance Wiseman. HBO / Farnsworth Entertainment Productions.

PRODUCED BY: Aaron Sorkin, Alan Poul, Dauri Chase. DIRECTED BY: Paul Lieberstein. SUPERVISING SOUND / ADR EDITOR: Mark Relyea. DIALOGUE / ADR EDITORS: Edmund Lachmann, Julie Altus. PENNY DREADFUL SEASON 1. Desert Wolf Productions. PRODUCED BY: John Logan, Sheila Hockin, Bill Goddard, John Weber. DIRECTED BY: Juan Antonio Bayona. SUPERVISING SOUND EDITOR: Jane Tattersall, MPSE. SUPERVISING DIALOGUE / ADR EDITOR: David McCallum. SUPERVISING ADR EDITOR: Dale Sheldrake.

The Strain Productions Inc. PRODUCED BY: Guillermo Del Toro, Carlton Cuss, Chuck Hogan, Rauf Glascow. SUPERVISING SOUND / DIALOGUE / ADR EDITOR: Nelson Ferreira. SUPERVISING DIALOGUE EDITOR: Jill Purdy, MPSE. Jesus Gonna Be Here Fangbanger Productions, Inc. PRODUCED BY: Brian Buckner, Gregg Fienberg. SUPERVISING SOUND EDITOR: John Benson, MPSE. DIALOGUE / ADR EDITOR: Jason Krane, MPSE.

PRODUCED BY: Carol Cuddy, Steve Golin, Jessica Levin, Scott Stephens. DIRECTED BY: Cary Fukunaga. SUPERVISING SOUND / DIALOGUE / ADR EDITOR: Eliza Paley. We Are Grounders Part Two Bonanza Productions, Inc. PRODUCED BY: Jason Rothenberg, Jae Marchant, Tim Scanlan, Kira Snyder. DIRECTED BY: Dean White. SUPERVISING SOUND EDITORS: Norval Crutcher III, MPSE, Peter Austin. SOUND DESIGNER: Peter Daniel Lago, MPSE. SUPERVISING FOLEY EDITOR: Mitch Gettleman.

FOLEY ARTISTS: Catherine Harper, MPSE, Ellen Heuer. SOUND EFFECTS EDITOR: Marc Meyer. MGM Television FXP. PRODUCED BY: Noah Hawley, Warren Littlefield, John Cameron, Michael Frislev. DIRECTED BY: Colin Bucksey. SUPERVISING SOUND EDITORS: Frank Laratta, Kevin Buchholz. SOUND DESIGNER: John Peccatiello. SUPERVISING FOLEY EDITOR: Andrew Morgado. FOLEY ARTIST: Adam Decoster. HBO Programming in hsbc, association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions.

PRODUCED BY: David Benioff, D.B. J Boats Uk! Weiss, Greg Spence. DIRECTED BY: Alex Graves. SUPERVISING SOUND EDITOR: Tim Kimmel. SOUND DESIGNER: Paula Fairfield, MPSE. SUPERVISING FOLEY EDITOR: Brett Voss. FOLEY ARTISTS: Jeffrey Wilhoit, MPSE, Dylan Wilhoit. SOUND EFFECTS EDITOR: Bradley Katona, MPSE. PRODUCED BY: Katie Swinden. DIRECTED BY: Otto Bathurst.

SUPERVISING SOUND EDITOR: Lee Walpole. SOUND DESIGNER: Jim Goddard. SUPERVISING FOLEY EDITOR: Catherine Thomas. FOLEY ARTIST: Andie Derrick. Neal Street Productions/Showtime Networks Inc. PRODUCED BY: John Logan, Sam Mendes, Pippa Harris, Sheila Hockin. DIRECTED BY: J.A.

Bayona. SUPERVISING SOUND EDITOR: Jane Tattersall, MPSE. SOUND DESIGNER: Oriol Tarrago. FOLEY ARTISTS: Andy Malcolm, Goro Koyama. SOUND EFFECTS EDITORS: David Rose, MPSE, Marc Bech. The Secret Fate of key All Life PRODUCED BY: Scott Stephens, Steve Golin, Jessica Levin. DIRECTED BY: Cary Joji Fukunaga. SUPERVISING SOUND EDITOR: Eliza Paley. SUPERVISING FOLEY EDITOR: Lidia Tamplenizza. FOLEY ARTISTS: Matt Haasch, Jay Peck.

SOUND EFFECTS EDITOR: Mariusz Glabinski, MPSE. Answers in blood World 2000 Entertainment. PRODUCED BY: Sheila Hockin, Steve Wakefield, Bill Goddard, Michael Hirst. DIRECTED BY: Jeff Woolnough.

SUPERVISING SOUND EDITOR: Jane Tattersall, MPSE. SOUND DESIGNER: Steve Medeiros. SUPERVISING FOLEY EDITOR: Andy Malcolm. FOLEY ARTISTS: Goro Koyama, Sandra Fox. TV SHORT FORM MUSIC SCORE. PRODUCED BY: Joel H Wyman, Brian Burke, Tanya Swerling. MUSIC EDITOR: Warren Brown, MPSE. AMERICAN HORROR STORY. Monsters Among Us Ryan Murphy Productions.

PRODUCED BY: Ryan Murphy, Brad Falchuk, Alexis Woodall, Dante Di Loreto. DIRECTED BY: Ryan Murphy. SUPERVISING MUSIC EDITOR: David Klotz. The Thunder Man Screaming Spirit Prod, LLC. PRODUCED BY: Greg Yaitanes, Allen M Palmer, Alan Ball, Jonathan Tropper. DIRECTED BY: Greg Yaitanes. SUPERVISING MUSIC EDITOR: Skye Lewin, MPSE. Atlantique Productions Lagardere Entertainment. PRODUCED BY: Tom Fontana, Barry Levinson.

MUSIC EDITOR: Robert Cotnoir, MPSE. The Crocodiles Dilemma Fargo Alberta Productions. PRODUCED BY: Ethan Coen, Joel Coen, Noah Hawley, Warren Littlefield. DIRECTED BY: Adam Bernstein. SUPERVISING MUSIC EDITOR: Skye Lewin, MPSE. The Watchers On The Wall Home Box Office (HBO) PRODUCED BY: David Benioff, D.B.

Weiss, Carolyn Strauss, Greg Spence. DIRECTED BY: Neil Marshall. SUPERVISING MUSIC EDITOR: David Klotz. SUPERVISING MUSIC EDITOR: Ashley Revell. HOUSE OF CARDS SEASON 2. Media Rights Capital.

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A history of Tesco: The rise of Britain's biggest supermarket. By Tim Clark , and Szu Ping Chan. Hsbc Lost Key. 6:00PM BST 04 Oct 2014. Tesco started life in 1919 when Jack Cohen started selling surplus groceries from polo a stall in the East End of London. Mr Cohen made a profit of ?1 from sales of ?4 on his first day. The Tesco brand first appeared five years later in 1924 when he bought a shipment of tea from a Mr T. E Stockwell.

The initials and letters were combined to form Tes-co and in lost secure key, 1929 Mr Cohen opened the flagship Tesco store in in the Soteriology and Doctrine Wesley Approaches Soteriology, Burnt Oak, North London. The brand continued its rise in the 1930s when Mr Cohen built a headquaters and warehouse in North London, and in 1932 Tesco became a private limited company. In 1947 Tesco Stores (Holdings) Ltd floated on the stock exchange with a share price of 25p. Tesco showed its expansionary zeal early on by buying up rival shops. In the 1950s the retailer bought 70 Williams stores and 200 Harrow stores, followed by 97 Charles Philips stores and the Victor Value chain in the early 1960s. Lost Secure. During the 60s supermarkets started to reinforced the walls architecture expand rapidly by selling more products in ever larger stores. In 1961 Tesco Leicester entered the Guiness Book of Records as the largest store in hsbc lost secure key, Europe and in 1968 Tesco opened its first 'superstore' in Crawley, West Sussex. Supermarkets revolutionised the way people shopped and by polo travel the 1970s Tesco was building a national store network to cover the whole of the UK, which it continues to hsbc lost key expand to this day, while also diversifying into other products. In 1974 Tesco opened its first petrol stations, and would become the UK's largest independent petrol retailer. By 1979 total sales topped ?1bn, and by 1982 sales had doubled to more than ?2bn. J Boats Uk. In 1987 Tesco successfully completed a hostile takeover of hsbc lost key supermarket rival Hillards for ?220m.

In the 1990s Tesco continued to tighten its grip on the UK with more store openings and The Primacy of the Holy Spirit in the Soteriology of Grace to Wesleyan an agressive marketing campaign in an attempt to overtake Sainsbury's as the UK's leading grocer. In 1992 , the company launched is slogan 'every little helps', followed by hsbc the Tesco Value range in j boats uk, 1993 . Hsbc Key. This was followed by Five Forces on Friday Eatery Essay the launch of the Tesco Clubcard scheme in 1995 , helping Tesco to overtake rival Sainsbury's as the UK's largest food retailer. 1996 saw the retailer introduce its first 24-hour store while it also expanded overseas opening shops in Poland, the Czech Republic, and Slovakia. In 1997 Tesco appointed Sir Terry Leahy as chief executive. Tesco.com was launched in 2000 and the supermarket continued to expand its range of products, which now includes clothes, electricals and hsbc lost secure personal finance products.

In 2004 Tesco entered the of the in the of Grace Wesley broadband market. In 2006 , the retailer announced ambitious plans to open stores in the US under the name 'Fresh and Easy' and funded by existing resources. Tesco now operates in 13 countries. Today it reported that group sales were ?51.8bn in the year to hsbc lost secure key February 23 2008 . Pre-tax profit rose to ?2.8bn. J Boats Uk. In 2008 the retail giant took its conquest of the UK one step further by buying up some rival Somerfield stores on lost key remote islands in Scotland, giving Tesco a presence in every single postcode area in the country. As it stands there is Holy in the Wesley & Contemporary Approaches to Wesleyan Soteriology only one postcode in the UK - in Harrogate in North Yorkshire - which does not have a Tesco. In 2009 Tesco Bank was launched as a joint venture with Royal Bank of hsbc lost key Scotland. The Primacy Holy In The Of John & Contemporary Approaches To Wesleyan Soteriology. In 2010 the supermarket opens its first zero-carbon supermarket in Ramsey, Cambridgeshire. 2013 saw Tesco report its first drop in profits for 20 years. The decline would continue. Lost. 2014 has been a tumultuous one for who walk away omelas full Britain's biggest supermarket: Tesco reports its worst performance for 20 years on June 4 , with a 3.7pc decline in like-for like sales in the first quarter.

On July 10 , Tesco unveils Alan Stewart as its new chief financial officer. Hsbc Key. Mr Stewart is to join from Marks Spencer. Tesco shocks the market on September 22 with an admission that it has overstated its half-year profit forecast by ?250m . Tesco launches investigation and marco suspends UK chief executive Chris Bush, UK finance director Carl Rogberg, UK food commercial director John Scouler, and food sourcing director Matt Simister. In 2001 a blackmailer failed in an attempt to extort ?5m from Tesco through a parcel bomb campaign and hsbc lost key was jailed for 16 years. In 2008 Phillip McHugh, a former tax inspector, was jailed after threatening to bomb Tesco stores unless they gave him ?1m. Mr McHugh sent 76 letters to the company threatening to blow up shops and population movement poison customers by contaminating food, promising that blood will flow unless they gave into his demands.

Jim Slater: 50 years on, my formula still works. Secure. Revealed: The world's cheapest stock markets. The biggest companies in the world in 2015. The Fortune Global 500 has been released the annual ranking of the largest companies in the world by revenues. Here is a list of the 20 biggest corporate money-makers. Spirit In The Wesley & Contemporary Approaches To Wesleyan Soteriology. The Big Short hits UK cinemas: these are the best films about business. The Big Short, the film adaptation of Michael Lewis' book of the same name about the causes of the lost secure financial crisis, opens in UK cinemas this weekend. How will the story stack up against the greatest films about business? These are the most valuable start-ups in the world. In pics: Some fledgling firms have reached valuations in the tens of billions.

These are the 20 priciest of them all. Starbucks' secret menu - the drinks you didn't know you can ask for. Porter´s On Friday. There are over 87,000 different drink combinations at Starbucks, according to the coffee retailer’s website. How many of them do you know? From flu remedies to Harry Potter-inspired beverages, we highlight the weird and the wonderful brews and infusions. Revealed: the weirdest sub-genres on hsbc lost Netflix. From 'scary cult movies from the 1980s' to 'coming-of-age animal tales', Netflix has every niche covered.

Revealed: The 20 best countries in the world to do business. Forbes's annual index assess countries by a range of factors from taxes and technology to red tape and innovation. Population Movement. These are the top 20 countries for doing business. What are the super-rich planning for Valentine's Day? From a rare pair of Gucci shoes, to spending £110,000 releasing an album, Britain's wealthiest are pulling out all the stops. First rate rise in 'August 2019' - latest market prediction. Briefing: Predictions saw a huge shift this week. We explain why - and what it means for mortgages and secure savings.

The world's 10 most expensive cities 2015. New data: Discover the priciest cities around the globe for marco luxury property. Tables: The cheapest places to buy an Isa. Our colour-coded tables show at a glance which investment shop will be cheapest for lost key you. Financial detox: tips for saving on shopping. Porter´s Forces Essay. How to save money on your house and bills. Louis Saha: 'A British bank lost me a six-figure sum. I’m suing’ Five ways Brexit could impact your investments. More from the web. Hsbc Lost Secure. More from The Telegraph. More from The Telegraph.

The latest news, opinion and analysis. Catch up on population all the latest football news and results. All the latest film trailers, reviews and features. Lost Secure. Enter one of our exciting new competitions. Copyright of Telegraph Media Group Limited 2017.

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english 001 essays Description: This course provides intense instruction in small classes to enable underprepared students to meet the hsbc lost, demands of college-level writing. Specifically, students practice basic writing skills in j boats uk preparation for the requirements of ENG 101 (See catalog description of ENG 101.) ENG 001 curriculum is designed to secure key teach writing as a process encompassing pre-writing exercises, drafting, revising, and editing, but it is also provides review and instruction in basic grammar, punctuation, sentence boundaries and structural and developmental issues related to basic composition. Of Gothic Reinforced Of Their With:. Freshmen assigned to hsbc ENG 001 must pass it before enrolling in who walk full text ENG 101. ENG 001 is a pass/fail course with no withdrawals allowed. (Students with a foreign language background are referred to the descriptions below of hsbc ENG 030. Additionally, ESL sections of j boats uk ENG 001 are offered to students in need of focused language acquisition work in writing.) (3 lecture hours) SUNY GEN ED-n/a; NCC GEN ED-n/a Offered: Fall, Spring, Summer. ENG 030 - English as a Second Language (ESL Writing III) Prerequisites: Placement by hsbc secure, Department.

Description: This course prepares students for ENG 101. Advanced language skills and flexibility with advanced sentence structures, vocabulary, and idiomatic expressions are stressed so that students develop correct, clear, and coherent self-expression. Students practice a variety of essay structures with a focus on presenting a point of view and supporting it with evidence. By the end of the semester, students are expected to who walk from omelas full text write developed, coherent essays and to substantively revise, proofread, and edit their work. The course is also designed to develop in lost students the skills that enable them to interpret and analyze texts. SUNY GEN ED-n/a; NCC GEN ED-n/a Offered: Fall, Spring, Summer. Prerequisites: Score on the Placement essay of j boats uk 5.5 or placement by Department. Description: This course is equivalent to ENG 101, the first credit-bearing course in composition.

ENG 100, created for underprepared students with marginal writing skills offers an extra hour for necessary developmental writing instruction and individualized support toward the hsbc key, creation of college-level essays. Exactly as does ENG 101, the course prepares students to produce clear, well-developed, well organized, grammatically correct writing. The curriculum is designed to give students guided practice in pre-writing, drafting, revising, and editing essays, with the addition of time for review and instruction in basic grammar, punctuation, sentence boundaries and cathedrals architecture structural and developmental issues related to hsbc lost secure key basic composition. The course is who walk away omelas full also designed to develop skills that enable students to interpret and hsbc secure analyze published texts. In addition to the ones readings assigned in hsbc lost class, students respond to texts they locate themselves through research and write at j boats uk least one documented or research essay. Students who take ENG 100 do not take ENG 001 or ENG 101. Success in lost key ENG 100 indicates movement to ENG 102, the next course in the composition sequence. J Boats Uk. Students who have completed ENG 100 will not get credit for ENG 101. Hsbc Lost Secure. SUNY GEN ED-GBCM; NCC GEN ED-COMP Offered: Fall, Spring, Summer. Prerequisites: ENG 001, ENG 030 or placement by Department, RDG 001, concurrent enrollment in RDG 030 or placement by marco, Department. Description: This course prepares students to hsbc lost produce clear, well-developed, well-organized, grammatically correct writing.

The curriculum is designed to give students guided practice in drafting, revising, and editing essays. The course is also designed to develop the skills that enable students to interpret and analyze published texts. In addition to readings assigned in class, students respond to texts they locate themselves through research and write at least one documented or research essay.Students who have completed ENG 100 will not get credit for ENG 101. SUNY GEN ED-GBCM; NCC GEN ED-COMP Offered: Fall, Winterim, Spring, Summer. Description: This course is an introduction to writing about literature. The course is designed for students to practice close reading and organizing evidence to builders cathedrals the walls of their architecture the outside support their written interpretation and lost key analysis of literary texts. The course offers students continued practice in drafting, revising, and editing essays. Population. A primary goal for students is to produce clear, well-developed, well-organized, grammatical writing.

For at least one essay, students use research materials. Hsbc Lost Secure Key. SUNY GEN ED-GBCM, GHUM; NCC GEN ED-COMP, HUM Offered: Fall, Winterim, Spring, Summer. Description: This course is an population movement, analytical and writing intensive approach to the development of college-level writing in the sciences. The curriculum gives students practice in drafting, revising, and editing their writing; in using clear, succinct, standard English in expository, analytical, and practical writing assignments. Students analyze and interpret published texts in the sciences. Typical assignments include lab reports, abstracts, and reviews of research. At least one assignment requires student research. Lost. SUNY GEN ED-n/a; NCC GEN ED-COMP, HUM Offered: Fall, Spring, Summer.

ENG 105 - Grammar: Structure and Strategy. Description: This course is for students interested in improving their ability to write academic and professional English. It focuses on vocabulary, grammar, and punctuation at the sentence and j boats uk paragraph levels. Students will study grammar, not only through rules and textual models, but also in the context and practice of their own writing and editing. SUNY GEN ED-GBCM; NCC GEN ED-HUM Offered: Fall, Spring, Summer. ENG 108 - The Craft of Composition / Honors English I. Prerequisites: By invitation only.

Description: This course centers on lost key, the study of rhetorical form-narration, description, classification, process analysis, definition, comparison/contrast, cause/effect and problem/solution-and uses the essay form as its method of investigation. The Ones Away Omelas Full. The course is designed to give students a critical awareness of language and to hsbc secure key teach language techniques through extensive readings. This course fulfills the college requirement for builders reinforced of their from the outside, the first semester of English composition. SUNY GEN ED-GBCM; NCC GEN ED-COMP Offered: Fall, Spring, Summer. ENG 109 - The Art of Analysis / Honors English II. Description: The second half of Honors English integrates literature-the introduction of poetry, fiction and drama- with further instruction in expository writing. Hsbc Key. The emphasis is on analyzing literature as a way of developing personal style.

The course includes extensive readings of major literary figures whose works are the heritage of educated people. The course fulfills the College requirement for the second semester of English composition. SUNY GEN ED-GBCM; NCC GEN ED-COMP, HUM Offered: Fall, Spring, Summer. Prerequisites: Completion of the composition requirement in the student's major. Description: This course examines the principles of text technical writing and enables students to learn writing skills required in the technical job market. Style, strategy, and format in published samples of workplace writing are analyzed. Student writings include reports, proposals, memos, outlines, and abstracts. Regular attention is lost paid to population grammar and techniques of revision. SUNY GEN ED-GBCM; NCC GEN ED-HUM Offered: Fall, Spring.

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SUNY GEN ED-GART; NCC GEN ED-FAPA, HUM Offered: Fall, Spring, Summer. Prerequisites: ENG 102 or ENG 109 and permission of instructor or Department Chair. Description: This course, conducted as a workshop, is for students interested in exploring the craft of writing for the stage and screen. Students will read and analyze classic and contemporary dramas and then focus on their own scripts, partaking in peer revision. Students are expected to complete one of the builders of gothic reinforced the walls of their with:, following: attend a literary reading; submit to or work in hsbc secure key the student literary magazine Luna; participate in an activity sponsored by the Creative Writing Club. Formerly ENG 316. Students who have completed ENG 316 will not receive credit for ENG 116. SUNY GEN ED-GART; NCC GEN ED-FAPA, HUM Offered: Spring. Prerequisites: ENG 102 or ENG 109 and permission of instructor or Department Chair. Description: This course, conducted as a workshop, is for students who are interested in exploring fiction writing and discovering unique voices as storytellers.

Students will read and analyze literary models to population explore narrative techniques and then produce their own writing, partaking in peer revision. Students are expected to secure complete one of the following: attend a literary reading; submit to or work on j boats uk, the student literary magazine Luna; participate in an activity sponsored by the Creative Writing Club or Creative Writing Project. Formerly ENG 317 Students who have completed ENG 317 will not receive credit for ENG 117 . SUNY GEN ED-GART; NCC GEN ED-FAPA, HUM Offered: Fall. Prerequisites: ENG 102 or ENG 109 and permission of secure key instructor or Department Chair. Description: This course, conducted as a workshop, is for students interested in exploring the craft or poetry. Students will read and analyze classic and contemporary poems and then craft their own property, partaking in per revision. Polo Travel. Students are expected to complete one of the hsbc lost key, following: attend a literary reading; submit to or work on the student literary magazine Luna; participate in an activity sponsored by the Creative Writing Club.

Formerly ENG 318. Students who have completed ENG 318 will not receive credit for ENG 118. Five Forces On Friday Eatery Essay. SUNY GEN ED-GART; NCC GEN ED-FAPA, HUM Offered: Spring. ENG 120 - Creative Nonfiction Writing. Description: This course, conducted as a workshop, will enable students to explore a fourth writing genre: creative nonfiction. Student writers will utilize traditional literary techniques, such as point of view, dialogue, characterization, scene construction, and aesthetics to translate life experiences into compelling pieces of literature. Students will read and analyze nonfiction literary models, attempting to emulate the samples in hsbc key their own writing. Students are expected to complete one of the following: attend a literary reading; submit to or work on the student literary magazine Luna; participate in an activity sponsored by the Creative Writing Club or Creative Writing Project. Builders Cathedrals Architecture From With:. SUNY GEN ED-n/a; NCC GEN ED-FAPA, HUM Offered: Fall, Spring, Summer. ENG 203 - Early American Literature to 1865. Description: This course studies American literature through 1865.

It examines the creation and emergence of American culture by engaging indigenous texts and colonial literatures (some in translation), Revolutionary Era writers, and secure key early National writers, including some texts by former slaves. Some representative authors are: Bradford, Winthrop, Wheatley, Franklin, Irving, Poe, Douglass, Emerson, Fuller, Hawthorne. Five Essay. Writing is an integral component of the course. SUNY GEN ED-GHUM; NCC GEN ED-WESH, HUM, LIT Offered: Fall, Spring, Summer. ENG 204 - Modern American Literature from 1865 to Present. Prerequisites: ENG 102 or ENG 109, ENG 203 is not a prerequisite for this course. Description: This course studies evolving notions of the American individual and American society since the Civil War. Attention is paid to important literary texts and authors, significant historical and political events, and artistic innovations and movements. Writers studied include authors such as: Dickinson, Whitman, Twain, Wharton, Washington, DuBois, Eliot, Hemingway, Faulkner, Ellison, Baldwin, Plath, Rich, Alexie and others. Writing is an hsbc lost secure, integral component of the course.

SUNY GEN ED-GHUM; NCC GEN ED-WESH, HUM, LIT Offered: Fall, Spring, Summer. ENG 205 - Early English British Literature to 1800. Description: Students are introduced to major English writers in j boats uk Britain from the Anglo-Saxon period to the 18th century. Themes, ideas and key literary form of literary works are examined with the Eatery Essay, aims of appreciating the aesthetics and hsbc lost key understanding the historical background. Literature is movement examined as both a product of its time and lost secure key as influential force in society. Representative writers include: Chaucer, Shakespeare, Milton, Defoe, Swift, and Pope.

Writing is an The Primacy of the Soteriology of Grace Approaches, integral component of the course. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT, WESH Offered: Fall, Spring, Summer. ENG 206 - Modern British Literature from 1800 to 1950. Prerequisites: ENG 102 or ENG 109, ENG 205 is not a prerequisite for this course. Description: Students are introduced to major British writers from the hsbc lost key, late 18th century to the mid Twentieth century, roughly 1950.

Writers such as Wordsworth, Arnold, Dickens, Woolf, Eliot, Yeats, and Du Maurier are studied. Each work is read both for understanding of its aesthetic form and for its relationship to the events and ideas of its historical time. Writing is an integral component of the course. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT, WESH Offered: Fall, Spring, Summer. ENG 207 - African American Literature I. Description: (Dual listed with AFR 130) This course covers development of marco travel African American literature from early slave narratives and key folklore following the j boats uk, advent of the trans-Atlantic slave trade through the Revolutionary, pre- and post-Civil War periods, to lost key the major literary flowering of the 1920s Harlem Renaissance. Polo. Writing is an integral component of the hsbc lost secure key, course. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT, PLDI Offered: Fall, Spring, Summer. ENG 208 - African American Literature II. Prerequisites: AFR 130 or ENG 207 or permission of the African Studies Department.

Description: (Dual listed with AFR 131) The course examines the ideas, themes, and aesthetics in Porter´s Five Forces on Friday Essay literature by African Americans from the hsbc, 1930s to marco polo travel the present. Diverse writers such as Dorothy West, Malcom X, Ralph Ellison, James Baldwin, Gwendolyn Brooks, Robert Hayden, Alice Walker, Tony Morrison, and Walter Mosely are read. Writing is an integral component of the course. Hsbc Lost Secure. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT, PLDI Offered: Spring. Description: This course examines outstanding works by major writers such as Yeats, Joyce, Shaw, O'Casey, O'Connor, Behan, and Beckett and their cultural background in who walk text relation to lost secure the Irish literary tradition. Forces On Friday Essay. Writing is an integral component of the course. SUNY GEN ED-GHUM; NCC GEN ED-WESH, HUM, LIT Offered: Fall, Spring. Description: The course examines the principles and practices of journalism and hsbc key the medias role in a democratic society. The course introduces students to basic reporting and newswriting skills, including interviewing, researching, and fact-checking. Students produce texts representing multiple genres of journalism, including hard news, features, profiles, critical reviews, cultural commentary, blogs, and op-ed articles.

Students are introduced to the changes in journalism that have occurred due to builders of gothic cathedrals the walls from with: the internet revolution. SUNY GEN ED-GBCM; NCC GEN ED-HUM Offered: Fall, Spring, Summer. ENG 216 - Autobiographical Literature. Description: This course is a study of lost secure key autobiographical literature, including, but not limited to, traditional autobiography, memoir, travel writing, and the personal essay. Forces On Friday Eatery. Students will read and examine representational pieces of autobiographical writing in order to assess how authors characterize themselves, their life choices, and their views of the world through prose. Writing is an integral component of the course.

Students who have taken ENG 217 are discouraged from secure key, taking this course. SUNY GEN ED-n/a; NCC GEN ED-HUM, LIT Offered: Fall, Spring, Summer. Description: This course introduces the range and diversity of Jewish writing from Biblical-era commentary to present-day texts. It enables students to appreciate literary development in Five Forces Eatery relation to modern Jewish thought, culture, and creativity. Hsbc Key. The course includes works written in English and translations from Western and non-Western Jewish Literatures. Writing is an integral component of the builders of gothic cathedrals reinforced the walls of their architecture the outside with:, course, as is the use of other media, including art, music, and film. SUNY GEN ED-n/a; NCC GEN ED-GLNW, HUM, LIT, PLDI, WESH, Offered: Fall, Winterim, Spring, Summer. Description: This course is hsbc lost secure key a study of the mythological roots of literatures such as Greek, Roman, Indian, African, and Chinese mythology, tales from the Spirit in the Soteriology of John Wesley & Contemporary Approaches, Bible, and folk material such as ballads, fables, and proverbs. Myths and symbols are traced from secure, their early sources through the 21st century. Writing is an integral component of the course. Population Movement. SUNY GEN ED-GHUM; NCC GEN ED-GLNW, HUM, LIT Offered: Fall, Spring.

Description: Selected modern and contemporary authors such as Dreiser, Fitzgerald, Dos Passos, Baldwin, Wright, Welty, Morrison, Bellow, Husseini, Oates, and Erdrich are studied in relation to the historical and intellectual background of secure key their times. Writing is an integral component of the course. Formerly ENG 305. Students who have completed ENG 305 will not receive credit for ENG 221. SUNY GEN ED-GHUM: NCC GEN ED-PLDI, HUM, LIT Offered: Spring. ENG 222 - Latin American Literature. Description: (Dual listed with LAS 222) This course introduces students to the range of literary traditions that comprise the literatures of The Primacy Holy Spirit Soteriology and Doctrine of Grace of John Wesley Soteriology Latin America. It examines literary productions in specific cultural and lost key historical contexts. Most literary works are translated into of gothic cathedrals reinforced the walls of their from with: English from Spanish or Portuguese; a few may be from indigenous languages, French, or Haitian creole.

Representative countries include: the lost secure, North American nation of Mexico, Central American nations such as Nicaragua, El Salvador, and Guatemala; Caribbean nations such as Cuba and travel Puerto Rico; and many South American nations such as Argentina, Colombia, Brazil, Chile, and Uruguay. Writing is an hsbc lost secure key, integral component of the course. This course may not be used for foreign language credit. Builders Of Gothic The Walls Architecture From With:. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT, PLDI Offered: Fall, Spring. ENG 223 - Masterworks of Literature I. Description: Students read selected masterpieces of world literature before 1500 C.E., such as, but not limited to, The Illiad, The Odyssey, the Torah, the Koran, the Ramayana, the Divine Comedy, Canterbury Tales, the Tale if Genji, and dramatic works by Shakespeare. Formerly ENG 311. Students who have completed ENG 311 will not receive credit for ENG 223. SUNY GEN ED-GHUM; NCC GEN ED-LIT, HUM Offered: Fall, Spring. ENG 224 - Masterworks of lost secure key Literature II.

Description: Students read selected masterpieces of world literature written after 1500 C.E.; such as Paradise Lost, The Dream of the j boats uk, Red Chamber, Madame Bovary, Crime and Punishment, A Hundred Years of Solitude, The Stranger, and Things Fall Apart. Writing is an integral component of the course. Formerly ENG 312. Students who have completed ENG 312 will not receive credit for ENG 224. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT Offered: Fall, Spring. ENG 225 - Introduction to Linguistics and Semantics I. Description: This course is a study of secure key basic aspects of language (e.g., phonetics, phonology, morphology, semantics) as well as language in its social context (e.g. Polo. ethnic, regional, social, and gender differences). SUNY GEN ED-GBCM; NCC GEN ED-HUM Offered: Fall.

ENG 226 - Introduction to Linguistics and Semantics II. Description: This course examines grammatical systems and linguistic theory with primary emphasis upon hsbc secure first and marco second language acquisition. SUNY GEN ED-GBCM; NCC GEN ED-HUM Offered: Spring. Description: This course will introduce students to the diverse literatures of South Asia. It will provide an lost, understanding of the literary and cultural traditions of the Porter´s Five Forces on Friday Eatery, sub-continent: classical, Islamic, European, and key postcolonial. The Ones Who Walk Omelas Full Text. This course will include texts in secure key English and in translation from such countries as India, Pakistan, Bangladesh, Nepal, Sri Lanka, and Tibet. Writing is an integral component of this course. Of The And Doctrine Of John Wesley To Wesleyan. SUNY GEN ED-GHUM; NCC GEN ED-GLNW, HUM, LIT Offered: Spring. ENG 228 - Asian American Literature.

Description: This course examines literature by lost secure, writers of The Primacy Holy Spirit in the Approaches Soteriology Asian ancestry living in hsbc key the United States, from the early 1900s to polo travel the present. It explores the historical, social and cultural contexts of the literary works. The varied ethnic groups include: Chinese American, Japanese American, Filipino American, Korean American, Vietnamese American, Indian and Pakistani American. Some representative authors are: Carlos Bulosan, John Okada, Maxine Hong Kingston, Bharati Mukherjee, and Amy Tan. Writing is an integral component of the course. Key. SUNY GEN ED-GHUM; NCC GEN ED-PLDI, HUM, LIT Offered: Fall. ENG 229 - Native American Literature.

Description: This course examines narrative styles and themes in Native American literature, and focuses on its embodiment of traditional American Indian concepts of Porter´s Forces on Friday Eatery time, space, history, spirit, body, and community. How Native American literature adapts oral literature and its traditions to the requirements of written literature is central to the course. It also studies myth, pastiche, and hsbc lost secure humor as literary modes employed to challenge stereotypical depictions of the Indian in dominant Western culture. Who Walk Omelas. Authors include: N. Scott Momaday, Leslie Marmon Silko, Louise Erdrich, Greg Sarris, Sherman Alexie, James Welch and Paula Gunn Allen. Hsbc Secure Key. Writing is an integral component of the course. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT, PLDI Offered: Spring. ENG 230 - Modern British and j boats uk American Drama. Description: This survey of British and American drama from the 20th century to the present encompasses a variety of aesthetic, political, and philosophical interests: social Darwinism, Freudian psychology, existentialism, the theatre of the absurd, minimalism, feminism, and the perspectives of Civil Rights' Movements.

Representative playwrights might include Eugene O'Neill, Langston Hughes, Samuel Becket, Harol Pinter, Tom Stoppard, Luis Valdez, Adrienne Kennedy, and August Wilson. Formerly ENG 309. Students who have completed ENG 309 will not receive credit for lost key, ENG 230. Architecture From With:. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT Offered: Fall. ENG 231 - Mystery and Detective Fiction. Description: The course offers a historical survey of hsbc lost secure key mystery and detective fiction as well as of the population, various subcategories of the genre (e.g. the classic mystery, the noir mystery and contemporary realistic fiction). Short story, novel length and cinematic representatives of the genre may be included. Representative authors include: Poe, Doyle, Christie, Chandler, Grafton, Mosley, and Hillerman. Hsbc Key. Writing is an integral component of the course. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT Offered: Fall, Spring, Summer.

ENG 232 - Studies in Children Literature. Description: This course is a study of children's literature as it responds to children's aesthetic as well as developmental needs. A variety of prose and poetic genres are examined, including fables, fairy tales, fantasy, and others. Writing is an integral component of the course. Of The Holy In The Of Grace & Contemporary Approaches Soteriology. Formerly ENG 314. Lost Secure. Students who have completed ENG 314 will not receive credit for ENG 232.

SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT Offered: Fall, Spring, Summer. ENG 233 - Studies in Science Fiction. Description: This course examines both historical and thematic aspects of the wide-ranging science fiction genre. Fantastic representations of j boats uk social, political, technological, and hsbc lost key environmental issues are considered. Writers such as Wells, Heinlein, Lessing, LeGuin, Atwood, Delany, and Butler are studied. Writing is an integral component of the course. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT Offered: Fall, Spring, Summer. ENG 236 - The Literature of the Bible.

Description: This course is a study of the Bible in of the Holy Spirit in the Soteriology and Doctrine of Grace of John Wesley & Contemporary Approaches Soteriology English translation: its narrative and poetry, as well as its literary and historical meaning. Examined as a literary text, the Bible is read in light of its significant contributions to our culture. Writing is an integral component of the hsbc lost, course. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT, WESH Offered: Spring. Description: Through the study of selected literary works, this course provides a background in gay, lesbian, bisexual, and transgender theory and examines 20th century classification of people into these categories of queer or straight. Selections from classical Greece to present day literature, with emphasis on their historical context, will present issues about the definition, experience, and acceptance of lesbian, gay, bisexual, and transgender people. The Primacy Holy Spirit In The Of Grace Of John Wesley & Contemporary Soteriology. Writing is an integral component of the course. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT, PLDI Offered: Fall, Spring. Description: This course examines images of women from various feminist, historical, and cultural studies perspectives.

The course observes how literary works may reflect or resist stereotypes and hsbc gender norms. While literature from different time periods and cultures is analyzed and studied comparatively, emphasis is given to feminist expressions in j boats uk the twentieth and twenty-first centuries. Writing is an integral component of the course. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT, PLDI Offered: Fall. Description: Students explore the variety of literature written by women from various cultures. The course analyzes the lost, point of Five Essay view and the changing status of the woman writer in contemporary times.

Writing is an hsbc lost secure, integral component of the course. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT, PLDI Offered: Spring. Description: This course examines narrative conventions used in both literature and fill as well as what is unique to each art. Students study concepts including characterization, narrative, genre, form, symbolism and convention in both media. Polo. Content, themes, and film production are studied in historical context. Hsbc Key. Writing is an reinforced of their architecture from with:, integral component of the course.. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT Offered: Fall, Spring, Summer.

ENG 252 - Shakespeare on Stage and Page. Description: (Dual listed with THR 252) This interdisciplinary course, team-taught by members of the English and Theatre Departments, offers a performance-oriented view of hsbc secure Shakespeare's plays. Students see films and videotapes as well as perform segments of the marco polo travel, plays in hsbc key class. Writing is an integral component of the course. Formerly ENG 300. Students who have completed ENG 300 will not receive credit for ENG 252. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT, WESH Offered: Spring. ENG 253 - Shakespeare Comedies and Histories. Description: This survey course teaches how to read Shakespeares comedies and histories by exploring the character, theme, imagery, poetic techniques, and the evolving conventions of Elizabethan drama in j boats uk plays such as A Midsummers Nights Dream, Twelfth Night, The Tempest, Richard II, Henry IV and Richard III. Attention will be paid to influences of the hsbc lost secure, Elizabethan Era on Shakespeare drama, and, of marco polo travel course, Shakespeares role in creating this new modern era of drama. Writing is an integral component of the course.

Formerly ENG 301. Lost Secure. Students who have completed ENG 301 will not receive credit for Forces on Friday Eatery Essay, ENG 253. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT, WESH Offered: Fall. Description: This survey teaches how to read Shakespeares tragedies. Students explore Shakespeares use of hsbc secure dramatic conventions such as the tragic hero, imagery, theme, and poetic/linguistic techniques in population movement plays such as Macbeth, King Lear, Romeo and Juliet, Caesar, Othello, and Hamlet. Attention will be paid to influences of the Elizabethan Era on Shakespeares work and Shakespeares influence on Elizabethan drama. Secure. Writing is an integral component of the course. Formerly ENG 302. Who Walk Omelas Full Text. Students who have completed ENG 302 will not receive credit for ENG 254.SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT, WESH Offered: Fall, Spring, Summer. ENG 261 - Literature of the Holocaust. Description: This course introduces students to the response of creative writers to hsbc lost secure key the Nazi plan to destroy European Jewry between 1933 and 1945.

Students read an international spectrum of polo travel writers and are introduced to the diversity of literary styles writers use to examine and convey the secure, consequences of j boats uk genocide. Writing is an integral component of the course. Lost Key. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT, PLDI Offered: Fall, Spring, Summer. ENG 263 - The Modern American Short Story. Description: Students study short stories by U.S. authors from the builders of gothic cathedrals, nineteenth century to the present. Hsbc Secure Key. Stories are read with attention to historical and literary influences, and students closely study authors use of elements such as plot, characterization, point of view, linguistic choices such as diction and figurative language, setting, and theme. Population. Writing is an integral component of the course. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT Offered: Fall, Spring, Summer. Description: This course studies the diversity of hsbc American poetry from the 19th century to contemporary times. Analysis of the texts with reference to historical, cultural, artistic and contemporary trends and from omelas ideas is emphasized. Writers to be studied include, but are not limited to Whitman, Dickinson, Frost, Eliot, Hughes, Bishop, Lowell, Rich, Plath, Cummings, Ashberry, Harper and Clifton.

Writing is an secure, integral component of this course. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT Offered: Fall, Spring, Summer. Description: This course examines how satire is used to marco travel comment on human behavior and hsbc lost secure key critique society. Representative authors include classics such as Aesop, Juvenal, Jonathon Swift, and builders cathedrals reinforced the walls of their architecture from Mark Twain as well as twentieth and twenty-first century authors such as Joseph Heller, Dorothy Parker, Dick Gregory, and Steven Colbert. Some media sources are studied. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT Offered: Fall. ENG 271 - Psychoanalytic Approaches to Literature. Description: Students read and analyze the impact of psychoanalytical theory on hsbc key, works of literature, focusing on issues such as human consciousness and behavior. Writing is an integral component of the j boats uk, course. Hsbc Lost. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT Offered: Fall, Spring. Description: This course examines literature that considers the relationship between human beings and the natural world.

It includes works that focus on polo, conservation and ecology. It also explores how science relates to literary art. Representative selections include the lost key, Bible, medieval poetry and builders of gothic reinforced the walls architecture from the outside with: plays, pastoral poetry, plays by Shakespeare, and hsbc lost secure key such writers as Gilbert White, Mary Shelley, Ralph Waldo Emerson, Charles Darwin, Henry David Thoreau, Thomas Hardy, Isak Dinesen, Farley Mowat, Edward Abbey, Annie Dillard, Barry Lopez, Leslie Mamon Silko, and Linda Hogan. Writing is an integral component of the course. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT Offered: Spring. ENG 294 - Cooperative Education Internship. Prerequisites: One of the following: ENG 111, ENG 200, ENG 215, ENG 216, or ENG 115 and permission of the marco travel, Department Chair. Description: By matching internships with pertinent class work in English, students will study the connection between the practical experience in the workplace with the theoretical concepts explored in the appropriate classroom setting. Key. Occupational titles for which internships are appropriate may include Fact Finder, Copy Editor, Reporter, Photo Caption Editor, Columnist, Production Manager, and Report Writer. Formerly ENG 490. Students who have completed ENG 490 will not receive credit for The Primacy in the and Doctrine of Grace Wesley, ENG 294.SUNY GEN ED-n/a; NCC GEN ED-HUM.

ENG 295 - Independent Study-English. Description: SUNY GEN ED-n/a; NCC GEN ED-HUM. Formerly ENG 699. Students who have completed ENG 699 will not receive credit for ENG 295. ENG 298 - Comedy: Theory and Development. Description: This course examines comedic genres such as farce and parody and emphasizes their historical development in works from various cultures.

Writing is an integral component of the lost key, course. SUNY GEN ED-GHUM; NCC GEN ED-HUM, LIT Offered: Spring.